Posted by ©Sindication
on October 19, 2011 | Comments Off
DATELINE AUSTRALIA, (not part of the USA) – No wonder no one can find NM on a map of North America (I’m looking at you USA Today of the early 90s, which reversed NM & AZ…At least you had the pre-cognition to cite the future likeness in immigration “standards”).
Anyhoo, SPACEPORT AMERICA has had its grand opening…complete with celebrity, actual astronaut and Royal sightings alike. NM Tourism much? No? Well it happened, with but a blip (à la the AP/Associated Press news wire in most cases), on the NM news scene back on Monday.
From a current 500 jobs, sky rocketing (wink) to a whopping 2K future (forecasted) jobs, the NM spaceport has been officially christened! EVEN our own Governess was there!
The “Keys to a New Dawn” event has already gone down but the future upscale launches can only take NM up!
Thanks to the Australian who sent this in…
Links: US Magazine, PerezHilton, New Scientist, People Magazine, Daily Mail UK, The Sun, Parabolic Arc, Aviation Week, Sydney Morning Herald (tomorrow’s)
Posted by ©Sindication
on October 19, 2011 | One comment
You can take the Native American out of Tonto, but can you take the West out of this western?
The Lone Ranger project has been all but laid to rest once already, to that end producers are now addressing ongoing budgetary concerns. Specifically, Jerry Bruckheimer deconstructs the approximate $10M price slash for The Hollywood Reporter, including the back-and-forth possibility of breaking-up the NM portion of the shoot, hauling it out of the West and into Louisiana where incentives are higher.
“We redid the production plan. We originally laid it out to avoid winter. Every single location we had, there was winter — 30s at night, 50s during the day, best-case scenario. We were jumping around. California, New Mexico, Arizona, Utah. If we had a big crowd scene and then the next day we were shooting just Tonto and the Lone Ranger, we still had the crew “on” because you have them weekly. So we bunched the sequences that were big together, and for the smaller scenes [we] laid off the extras, the effects people, the makeup people. It costs an enormous amount with 150 extras on the set. It’s not the extras, it’s the people that support the extras. You’re still carrying all the wardrobe, makeup and hair people. We bunched together scenes with Tonto and the Lone Ranger, so we had a much smaller crew. We saved about $10 million just by doing that.
Then we looked for the best break in tax incentives. We found that Louisiana gave us a better tax incentive than New Mexico — that was another $8 million. We’re still shooting in New Mexico, and we might [also] go to Louisiana. We’re asking New Mexico to come closer to the Louisiana incentive.
We dropped our California location not because they didn’t offer a tax break but because it was another production office that we had to open. Every time you have a new location, you have to use crew time setting it up for you. There are a lot of expenses.”
Bring it all the way home New Mexico, get a piece of this epic Disney Western with some back-end action or something in exchange for meeting the request…Keep our hotels loaded, tourists coming and our cast & crews employed…and maybe a little global PR to follow, so maybe the rest of the country learns in this century that NM is part of the continental UNITED STATES AND that we have better skiing than AZ.
N. Mex has already lost Quentin Tarantino’s Spaghetti Western Django Unchained starring Leonardo DiCaprio, NM Fave Samuel L. Jackson and Christoph Waltz, which starts shooting this November in NOLA.