FILM ACTING AND AUDITIONING COURSE on the lot of ABQ STUDIOS
with Lora Cunningham
You will develop your talent through truth and authenticity- to “just be.” Learn what it takes to get the audition, how to prepare for it, and what to do once you’re in the room! This is the most comprehensive acting course in New Mexico, integrating the art of acting with the business of acting.
WHERE: Albuquerque Studios Lot
TIME: Mondays 6PM-9PM
This is the 8-week Course starting Monday, October 20, 2014.
ABOUT LORA: A graduate of The American Academy of Dramatic Arts in Hollywood, California, Lora has been working in film, television, commercials and stage for 18 years. She played opposite Denzel Washington and Mila Kunis in THE BOOK OF ELI as well as Toni Collette and Rosemarie DeWitt in Steven Spielberg’s THE UNITED STATES OF TARA. Most recent credits include LONGMIRE, BREAKING BAD, LEMONADE MOUTH, BLESS ME ULTIMA, BARE, CENTS, MANHATTAN and THE MESSENGERS.
ALBUQUERQUE, NM– So many of us grew up watching I Love Lucy throughout the years, and we probably do our best to catch re-runs on TV whenever we get the chance. There is something about the nostalgia of it all that proves irresistible. But I bet that most of us never knew that one of this famous TV show’s beloved stars was actually an Albuquerque talent.
Everybody’s Neighbor: Vivian Vance features the history and popular culture of vaudeville star and actress Vivian Vance, who appeared regularly at Albuquerque Little Theater (ALT) and the KiMo. Vance, who spent part of her young adult life in Albuquerque, eventually won her most endearing role as Ethel Mertz on the TV situation comedy, I Love Lucy. The exhibition will be on view at the Albuquerque Museum from March 29, 2014 – January 31, 2015.
Vivian Roberta Jones, known as “Viv” to her friends and family, was born in 1909 in Cherryvale, Kansas. As a teenager she decided to pursue acting career, against the wishes of her religious mother, Mae. Vivian’s large family eventually moved to Albuquerque and Vivian and her husband Joe Danneck joined the Joneses. She found a job modeling clothes, but in 1930 she defiantly announced that she had landed a role in the racy vaudeville show, Cushman’s Revue, playing at the KiMo Theater. She traveled with the show, then returned to Albuquerque.
Under the guidance of ALT director Kathryn Kennedy O’Connor, Vivian appeared in the theater’s first two seasons. Convinced that she had potential, O’Connor and the theatre held a benefit in 1932 by selling tickets to The Trial of Mary Dugan. Critics raved, writing, “Whether Vivian Vance can make good in New York will be decided next month, but the Albuquerque actress…showed that she can make good before a hometown audience.” With the proceeds, O’Connor sent Vivian to New York to study under actress Eva Le Gallienne.
Soon Vivian started landing chorus roles, eventually graduating to supporting roles in Hooray for What! and Let’s Face it! with Danny Kaye and Eve Arden. In between productions Vivian returned to Albuquerque. Vivian always felt that she owed a debt of gratitude to the people of Albuquerque for supporting her early career, and returned often to appear at the ALT free of charge. By the early 1940s, Vivian was living in New York but had also purchased a small adobe ranch house in Cubero, west of Albuquerque near Grants.
Vivian then moved to California to work on film and theatre projects. While visiting the La Jolla Playhouse in 1951, Desilu Studios producer Desi Arnaz watched Vivian’s amazing performance as Olive Lashbrook in Voice of the Turtle. Convinced that she was perfect for the role of Ethel Mertz in I Love Lucy, Desi Arnaz brought Vivian into the studio for a surprise introduction to his wife and star of the show, Lucille Ball. Because of Vivian’s good looks, impeccable comedic timing and a street-smart sense of how to play to an audience, she shined throughout the run of I Love Lucy. The 1953 episodes brought her an Emmy® Award for Best Supporting Actress in a Series, with additional nominations in 1954, 1956, and 1957.
I Love Lucy secured Vivian Vance’s place in television history. After a wondrous career in theater, film and television, the accomplished actress passed away in 1979. Many of her family members still live in New Mexico, and her sister Lou Ann holds local comedy workshops. Their stories, awards, photographs, and memorabilia contribute greatly to the exhibition, celebrating a small-town girl who hit the big-time.
The Museum is excited to be offering the following programs based around the Everybody’s Neighbor: Vivian
Public Opening: Everybody’s Neighbor: Vivian Vance
Saturday, March 29, 2014
2 – 5 p.m.
Programs will celebrate the life of Albuquerque resident and actress Vivian Vance, known for her role as Ethel Mertz on the sitcom I Love Lucy.
Music in the lobby from 2-5 p.m. by Swing Duo, featuring Cole Porter tunes sung by Vivian Vance. Enjoy a short montage of scenes from plays Vance appeared in, performed by the Vance Players, and introductory remarks by Henry Avery, Director of Albuquerque Little Theatre at 3 p.m. Get creative with an art activity in the Museum School from 2-4 p.m. Free event.
Performance: Vance Players
Wednesday, May 7, 2014
Vivian Vance’s career included theatre performances at the Albuquerque Little Theatre, summer theatre festivals and Broadway. The Vance Players will perform a 30-minute montage of scenes from plays that featured Vance. Free program.
3rd Thursday: ABQ Ladies of Comedy
Thursday, May 15, 2014
5 – 8:30 p.m.
In honor of the Museum’s Vivian Vance exhibition, come celebrate Albuquerque’s current funny ladies. There will be performances by music comedy trio JeeZ LaWeeZ and local stand-up comediennes. This program is sponsored by Las Ventanas Homes.
Performance: Vance Players
Wednesday, June 4, 2014
Vivian Vance’s career included theatre performances at the Albuquerque Little Theatre, summer theatre festivals and Broadway. The Vance Players will perform a 30-minute montage of scenes from plays that featured Vance. Free program.
The Albuquerque Museum and Casa San Ysidro is a division of the Cultural Services Department, City of Albuquerque, Richard J. Berry, Mayor. The Museum is located at 19th and Mountain Road NW (in Old Town);
No mechanical experience necessary. Requirements: reliability, flexible hours, willingness to work nights if necessary, knowledge of on-set etiquette, interest in film production, and reliability, reliability, reliability.
Inquires will be accepted through the end of business, Wednesday, May 29, 2013.
Before your friendly neighborhood AVENGERS take over the Albuquerque International Airport they first sweep the underbelly (literally) of downtown Albuquerque.
NOW FILMING in the basement of the sizable property that is the Albuquerque Convention Center.
So many of you darlin’ readers already know this and much much more and may I just say how excited and proud for you and the whole of our great state for being a part of this grande muy magnifico production!!
(Let’s all remain as respectful and professional as those with NDAs)
Just one week ago over 100 companies were invited here to the world renowned NM set by Marvel Studios for a “Licensing Summit”. Read the transcript of what one of these companies were allowed to say about what they saw and did there!
Studio 60 On The Sunset Strip (NBC’s class of ’06-’07) makes a move, of sorts. Two of the stars of the axed show will be re-teaming for a brand spanking new TNT detective, drama series that will begin shooting in the Q next month.
The series is based on the Marshall Karp novel The Rabbit Factory. The story will follow two detectives, – “Lomax & Biggs” in their life of sleuthery, debacles and hopefully some-time debauchery, whilst navigating their way through mysteries and life as a dynamic duo.
Allan Loeb, screenwriter of the iconic, big screen sequel Wall Street: Money Never Sleeps is at the helm of the production that pairs famed Wings actor Steven Weber and member of the original Kings of Comedy actor/comedian/host D.L. Hughley as the leads.
The feared foreclosure and sale of NM’s Own Albuquerque Studios has been canceled, so says PRNewswire.
Studio sources report that owners, Pacifica Mesa have come to terms with their creditors, Workers Realty Trust II LP to refinance their loan, management will retain existing leases and continue productions.
In addition to projects currently filming in NM a whole bevy of new productions are headed this way.
As “Blood Father” has wrapped and “Sicario” rolls on, two indie features are currently setting up shop in Albuquerque. As we told you here, “Bare” is set to get underway this week, while “Burning Bodhi” is in the middle of filming. Stay tuned for more info. on both – coming soon.
Meanwhile as “Lonmgire” 3 has wrapped, “Better Call Saul” 1 and 2 are in high (slow) gear, “Manhattan” 1 is winding down and “The Messengers” is getting set to resume; Two new comedy pilots are preparing to to shoot in New Mexico. Also in this broadcast we told you that the AMC comedy pilot for “We Hate Paul Revere” is expected to shoot at Albuquerque Studios within weeks. And come this fall a dramatic comedy pilot for USA Network currently titled, Stanistan is also headed to Albuquerque.
Revere is set in Boston, focusing on two brothers who are comically anti early American industrialist & Patriot Paul Revere, starring Ethan Sandler and Adrian Wenner. Stanistan follows the staff at the American Embassy in the Middle Eastern country as State Department workers, covert CIA officers and journalists strike a delicate balance of danger and absurdity.
Last week’s San Diego Comic Con was full of exciting reveals, announcements and sightings. One upcoming sci-fi thriller gaining buzz and building anticipation is the sci-fi thriller, “Maze Runner”. The biggest news on Maze at SDCC is that a sequel is already in the works…and guess where it’s expected to land. That’s right kids, while we’re waiting for the “Captain Fantastic” train, chew on the prospect of “The Maze Runner” becoming a big hit and get ready for its sequel to hit New Mexico’s bottom line!
UPDATE 3/18/14: Looking for mongrel dogs, kind of mean looking for interesting scene in Hieroglyph. Please email a photo of owner and dog to egabel[at]msn.com and DO NOT forget to include your phone number.
UPDATE 2/28/14: Looking for African American background for Hieroglyph. Please email photo with height, weight and phone number to:
CASTING CALL FROM CASTING DIRECTOR ELIZABETH GABEL:
“Looking for blind, disabled and deformed people of color, Hispanic, AA and Middle Eastern for very cool recurring roles on this ancient Egyptian story line. They are fun and not demeaning roles. Please send a photo with phone number to egabel[at]msn.com.”
6am – 10am Erica Viking live radio remote broadcast from the Breaking Bad RV Tours Bounder on Old Santa Fe Trail in front of the Roundhouse.
8:30am: Mayor’s breakfast in the downstairs lobby at State Land office. Mayor Coss will do the welcome
9:00am – Exhibitor tables in the Halls of History at the Roundhouse (continues until 4 pm)
9:30am – “Equitable alternatives to the Food & Medicine Tax “ panel discussion in Morgan Hall at the State Land office
12:00 –Press Conference in the Rotunda at the Roundhouse
1:00 – Casting session starts at Morgan Hall in the State Land Office and runs until 4pm
5:00 – 7:00pm – Official Legislative Reception at the Dragon Room & back courtyard at Pink Adobe. $50 per person entry with ticket. (Legislators invited at no charge). Co-sponsored by Albuquerque Studios.
Must see midseason drama, The Night Shift has wrapped season one in Albuquerque, New Mexico.
The NBC medical drama is set to start airing its completed eight episode beginning Monday nights this winter. The show shot it’s pilot at I-25 Studios back in the spring, with full production on the seven series episodes getting underway at Albuquerque Studios this fall.
Now completed, the fictitious San Antonio Memorial medical team; including rising stars such as Daniella Alonso, Eoin Macken, JR Lemmon, guest director Eriq La Salle, Breaking Bad Producer, Stewart Lyons and a whole team of top tier New Mexico grown cast & crew, anxiously await their upcoming run on NBC.
“We are wrapped for the first Season of The Night Shift.
Our Stand Ins did an amazing job, thank you, Chloe, Brytnee, Ava, Bri, Dana, Tammy, Kristine, Lynn, Keith, Max, Michael, Marwan, Jacquay, Pablo P & Ken.
A big thank you to all our wonderful background. Everyone was amazing and enjoyed having you on set.”
As we blatantly hinted at you here…Deadline Hollywood is now reporting:
Encouraging news for midseason NBC series The Night Shift – the network has ordered three additional scripts of the medical drama. Night Shift, about the men and women who work the wee hours at San Antonio Memorial, has an 8-episode order (pilot +7) as part of that complex four-show deal between NBC and Sony TV last May that included pickups of The Blacklist (with guaranteed Monday 10 PM slot), Welcome To The Family and The Night Shift and a renewal of Community. The Night Shift pilot tested very well, with Irish actor Eoin Macken, who plays the lead, touted as a potential breakout star. Creators Gabe Sachs and Jeff Judah executive produce with Pierre Morel.
Buzz around town a few weeks ago was all about Eriq La Salle sightings in the Q. Leading cast and NM crew were were privy to La Salle’s objective on set, which was apparently to whip them all into shape!
The ER actor was hard at work at Albuquerque Studios directing a “wicked bloody” episode of the new NBC drama The Night Shift.
La Salle, an accomplished actor, director, writer and producer, recently added author to his resume with his first dark thriller, “Laws of Depravity”. Check it out here, where Amazon his this to say about him:
Actor/director Eriq La Salle is best known to worldwide television audiences for his award-winning portrayal of the commanding Dr. Peter Benton on the critically acclaimed and history-making medical drama ER. Educated at Juilliard and NYU’s Tisch School of the Arts, La Salle’s credits range from Broadway to film roles opposite Eddie Murphy in “Coming to America” and Robin Williams in “One Hour Photo.” He has also become a sought-after director, taking the helm for HBO and several episodics including Law & Order, CSI: New York and A Gifted Man, while maintaining a still prolific acting career. This year he marks the beginning of the third element of his triple-threat career with the publication this summer of his first book in a trilogy, the page-turning thriller Laws of Depravity.
The highly anticipated New Mexico production of NBC’s new drama The Night Shift is due to air in the 2013/2014 season!
Here are a few pics of La Salle, on set in NM, and with local actor Jackamoe Buzzell.
NBC’s drama series, The Night Shift is currently in production at Albuquerque Studios in central New Mexico, and it looks like one of their upcoming reality shows will be heading south in the near future to shoot the first ever American space travel competition.
Uber producer Mark Burnett (Survivor, The Voice) is making the move into out-of-this-world reality, by offering contestants a chance at space travel in a “groundbreaking, elimination competition series”, based out of New Mexico’s own Spaceport America – Sir Richard Branson’s Virgin Galactic commercial space travel facility.
Teaming with Branson will bring Burnett’s long-time quest of taking reality competition into the stratosphere to fruition. After successfully selling NBC on the idea of space competition and subsequently building two grounded show premises around the concept over ten years ago, the project will finally take flight from New Mexico.
“I am thrilled to be part of a series that will give the everyday person a chance to see space and that NBC has come on board too so that viewers at home will have a first class seat.” Burnett said in a recent statement.
The prospective air date for the show has been revealed, but the commercial space travel flights, going for up to $250,000.00 each, are scheduled to begin launching from Spaceport America in 2014. Advance ticket deposits are reported to have been purchased by the likes of Leonardo DiCaprio, Tom Hanks, Ashton Kutcher, Brad Pitt, Simon Cowell and over 600 more buyers to the tune of over $80M.
How does he know that guy, who knows that guy? How and where did he get through Law School? Was he born that way or did his special brand of criminal lawyering germinate out of some poignantly twisted circumstances from his past?
All these burning questions and MORE are now set to be answered in an hour long drama chalk full of the comedic elements Saul Goodman, Attorney at law has lent to Breaking Bad since his glorious entrance in season two.
The prequel promises to introduce us to a pre-Walter White Saul Goodman. Plans for the show have been in the works for quite sometime as we’ve followed for you here and as Breaking Bad creator Vince Gilligan himself didn’t shy away from talking about here.
The most important question about the spin-off for this blogette and for much of the New Mexico film community at large is…Will the show live and breathe in the hometown of Breaking Bad? One original show insider tells us, “there’s no reason to believe it’s not” heading to NM.
Sony Pictures Television which will produce the show for AMC has long had a home here with Breaking Bad and is currently producing the NBC TV series, The Night Shift at Albuquerque Studios. Sounds like a natural fit!
UPDATE 7/2/2013: Breaking Bad creator, Vince Gillagan says Saul Goodman Spinoff Moving ‘Full Speed Ahead’ -The Wrap TV
As the world anxiously awaits the final eight episodes of the “best show on television”, Breaking Bad fans are equally curious for the verdict on what comes next for cast & crew.
Even before we learn the fate of Walter White & Co. Br Ba devotees look forward to the most likely spin-off in which the best, slimiest, lawless lawyer around, Saul Goodman will once again ease all with, “Better Call Saul”.
Best news for New Mexico is that if a deal is indeed inked for the series, the most likely place for the Saul Goodman led series to take place would be original series home, Albuquerque, New Mexico.
Home to the AMC series, Albuquerque Studios (The Avengers, The Lone Ranger) is well seasoned and at the ready for the return of all things Saul.
Last fall NBC shot the gritty drama pilot “After Hours” across the interstate, as a prospect for last season’s television schedule. After not making the first cut, then being volleyed back and forth from the pick-up list to the tentative list, an off-cycle short order has been placed for at least four episodes of the show.
And as we’ve previously reported, up north some very special goings-on are going on around the return of the A&E hit series, Longmire and the highly anticipated Seth MacFarlane adaptation of Cosmos: A Spacetime Odyssey for Fox television.
Above, while walking the press line at the Tribute to Breaking Bad event held Saturday night at Albuquerque Studios in New Mexico, Bryan Cranston answered a wide array of inquiries ranging from his thoughts on New Mexico in general to this juicy tidbit on how he sees the journey of Walter White saying:
“My perspective on it is that every human being is fully capable of the wide spectrum of emotions, and even the meekest person among us is a dangerous person given the right set of circumstances and what happened to Walter White was just that. Certain, specific buttons were pushed at a very delicate fragile time in his life and he made decisions that he could not take back and he was on the road, he was on a spiral to hell.”
The Albuquerque Studios, Reelz Channel, YDI Tribute to Breaking Bad culminated in this meet & greet for contest winners and event sponsors, with select media and Albuquerque civic leaders in attendance. The cast mingled with the crowed, signed autographs and posed for photos with sponsors and winners alike. With sponsorship packages and ticket sales, organizers of the fundraiser for Youth Development Incorporated, were able to raise over $28,000 in just a few weeks time to benefit the local youth organization.
After the gang buster success of this, one of the many civic outreach events the production has undertaken in their six years at work here, there was another event held at an undisclosed location.
Though OHI has confirmed that Breaking Bad cameras are still rolling her in Albuquerque, at least for a few more hours, the closed door event turned out to be the show’s wrap party, where the tears and “bittersweet” sentiments that were already beginning to swell at the fundraiser flowed at full speed, as cast, crew, production staff, friends and family shared their parting words of reflection and gratitude.
In a speech addressing the crowed Bryan Cranston thanked AMC and Sony for having the courage to pick-up the show and said, “Even though Vince Gilligan didn’t set out to make a classic that’s exactly what happened. In years to come this show will stand the test of time and scrutiny.”
Telling everyone, “All of you here tonight can say proudly that we worked on breaking bad. Now it’s time to go, it’s time to wrap it up, fold-up our tents and move away but there’s one thing that will never leave us even though we’re leaving this experience and that is from here on for the rest of our lives we will be inexorably tied to each other as a one as a family and I for one am personally am overjoyed to have this opportunity to be w this family all of you, such fine human beings number one and artisans number 2 I love you all I will miss you all, God bless you and God bless you Mr. Vince Gilligan for giving us this opportunity!”
Hometown star Steven Michael Quezada said, “I’m very proud of New Mexico, I’m a New Mexican…the crews here, you have made us proud> We’re gonna do great things moving on in the future. I’d like to thank Mr. Vince Gillagan for giving us that, we are gonna learn from that and we’re gonna go forward and we’re gonna thrive and thank you Governor Martinez. Thank you for signing a bill that will help us…this cast here has changed New Mexico let’s learn from it and let’s move on, thank you very much.”
Anna Gunn too thanked AMC and Sony “for giving our little show about meth a home.” Then addressing her co-stars calling them, “the most generous gifted hilarious group of actors I have loved playing with you every minute and I have loved watching your brilliant work.”
And in a tremendous nod of support to those who crafted the show year after year, “Most of all I really just wanna pay homage to the most amazing crew top to bottom that I have ever worked with in my career. Everyday that I came to work I didn’t feel like I was coming to work, I felt like I was coming to make art, communally with a group of people that I adored and you all are artists. You are all crafts men and woman and you gave every ounce of yourselves with such passion and dedication through sandstorms and snowstorms and scorching heat and everything in between, and I was in awe of what you did and we really became a family.”
Lastly the native New Mexican added, “I have met some of the finest human beings and artists that I have ever come across in all my years working in this business and I feel so blessed because of that and I will be forever grateful for this experience so, Que Viva New Mexico and Que Viva Breaking Bad!”
In a cliff hanger that rivaled any blockbuster suspense thriller, the nail biting, sometimes gut wrenching, emotional roller coaster of our state’s film production saga came to a head this weekend.
First on Friday afternoon when the bad news spread all over the local film community and unfortunately spilled into national media that Governor Susana Martinez vetoed the increased film incentive proposal dubbed the “Breaking Bad” bill, citing lack of comprehensive tax reform as a part of her overall agenda.
Fortunately unyielding advocates for film jobs and the unsung impact of economic growth felt all across the state prevailed to see the most important adjustments to existing state film industry incentives live on.
The torch was carried on for thousands of industry workers and support service businesses in the form of pre-existing Legislative bill HB 641 – ironically titled An Act Relating to the Public Peace, Health, Safety and Welfare, which rapidly became known as the “Zombie” version of the Breaking Bad bill, largely because the amended act contained the very heart of the incentive changes required to bring more long living, qualified television productions to the state and securing unused budget dollars to roll-over into future years for more film production – all the while not impacting state spending.
Because of stalwart efforts on the floor, namely by bill sponsor, representative Antonio “Moe” Maestes, IATSE Local 480 Business Agent Jon Hendry, and driven on by a strong showing of film community support; by way of a public outcry to the Governor’s office, the “Zombie” bill lived to see another day, passing both the house and the senate, narrowly garnering a show of support from the Governor who promised to sign the bill into law as part of an omnibus tax bill which she deems acceptable and including a majority of her tax plan demands.
The cast of New Mexico’s longest running and most world famous production for whom the original film bill was named, was largely unaware of the drama at a charity event held on Saturday evening at Albuquerque Studios, where they had been filming til 4:30 a.m. Bryan Cranston, Anna Gunn, R.J. Mitte, Betsy Brandt and Bob Odenkirk, took part in the night’s Youth Development Inc. fundraiser which brought in over $28,000 to benefit children and their families right here in New Mexico, in large part to follow aspirations and become educated in film production careers, as spearheaded by Breaking Bad co-star and hometown activist Steven Michael Quezada.
Even the Mayor of Albuquerque, Richard Berry who lavished praise on the show’s substantial local economic impact and world over notoriety was learning at the same time as the cast that the heavily anticipated television production incentives were in fact one day closer to becoming a reality.
Bryan Cranston, who talked at length with reporters, YDI supporters and government officials in attendance spoke volumes about the value and immense talents of New Mexico cast and crew base, reiterating again and again that 90% of film workers on the six year production are New Mexico workers. Later in the evening at a closed door event, show creator Vince Gillagan too praised New Mexico, saying it’s a place, “which I now call my home”.
The passage of new legislation increasing incentives for long term production investment in our state finally raises the flag which New Mexico film advocates have championed for so long, sending the message to competing states and world wide productions that New Mexico Film is “open for business”.
BREAKING NEWS: Santa Fe IFF Changes Screening Date for BLESS ME, ULTIMA with Rudolfo Anaya in Attendance Due to Overwhelming Community Response
**All tickets purchased for the original Wednesday Oct. 17 showing will receive entrance to the after party at Zia Diner on Wednesday, October 17th and also have a seat at the premiere on Thursday, October 18th at the Lensic.**
Santa Fe, NM: The Santa Fe Independent Film Festival announces that the screening of BLESS ME, ULTIMA will now be at The Lensic Performing Arts Center on the 2nd day of the fest with Rudolfo Anaya in attendance on Thursday, October 18th to accommodate the overwhelming community response.
Santa Fe IFF and The Lensic are honored that author Rudolfo Anaya will be at the New Mexico premiere of BLESS ME ULTIMA to accept the Santa Fe Independent Film Festival’s American Author Award and to sign his books before the premiere. Luke Ganalon the actor who stars as the young Antonio, and Benito Martinez, who plays Antonio’s father Gabriel, will introduce the film.
Due to the astounding advance ticket sales, Santa Fe IFF has also extended the BLESS ME, ULTIMA events to two days beginning on the 1st day of the Fest, Wednesday, October 17th with a special party hosted by the Zia Diner where owner, restaurateur Beth Koch has created a menu inspired by the recipes from Rudolfo Anaya’s book to celebrate the NM premiere of the movie at 9 p.m. at 326 South Guadalupe Street in the Rail Yard.
The venue and date of the screening of BLESS ME, ULTIMA have been changed from Wednesday, October 17, at 7 p.m. at Warehouse 21 to Thursday, October 18th at 7 p.m. at the Lensic. Tickets for the screening are available now at ticketssantafe.org and the Lensic box office 505.988.1234.
Sponsors of Santa Fe Independent Film Festival
The Santa Fe Independent Film Festival relies on the generous support of sponsors andcorporate partnerships to help fund the Annual Film Festival. A special thanks to this years’ committed sponsors: (media partner) Hutton Broadcasting; (official sponsors) Inn and Spa at Loretto, Bishop’s Lodge Ranch Resort and Spa, Studio X, Hotel Santa Fe, Lensic, Warehouse 21, Lensic Performing Arts Center; (community sponsors) IATSE Local 480, HDNM, ,La Posada de Santa Fe Resort, Garrett’s Desert Inn, San Francisco Bar & Grill, Zia Diner, Cowgirl BBQ, Flying Star, Ore House at Milagro, Santa Fe Studios, Santa Fe Studios, Garson Studios, Albuquerque Studios, Whole Foods; (signature sponsors) Tamalewood, High Desert Digital, Meow Wolf, Fred Ray Lopez of Santa Fe Tinworks; (contributing partners) Santa Fe University of Art and Design, Southwest CARE Center, Quail Run, KUNM, Hinkle Law Firm, Farm to Restaurant New Mexico, Winds of Choice Chiropractic Healing; (festival partners) Ace Hardware, Century Bank, Image Ratio, One Mind Design.
Other partners include: Santa Fe County, Santa Fe Arts Commission, Kindle Project, and the McCune Foundation.
About the Santa Fe Independent Film Festival
Santa Fe Independent Film Festival was founded four years ago by local filmmakers to bring the best of independent film to Santa Fe and reignite the historic love affair between Santa Fe and Film. 2012 marks the fourth year of Santa IFF’s all volunteer organization offering a growing festival for independent film, filmmakers, and film lovers. Santa Fe IFF is dedicated to the economic development of our city and New Mexico film. Santa Fe IFF is committed to attracting a growing number of people who make and love films from all over the world to join this year’s Fest to enjoy independent films and the unique charm of Santa Fe.The Fourth Annual Santa Fe Independent Film Festival continues its mission in exhibiting the best of independent film to diverse audiences, creating educational opportunities, and building community partnerships.
The 4th Annual Santa Fe Independent Film takes place October 17 to 21, 2012. For more information contact:
The Fourth Annual Santa Fe Independent Film Festival takes place October 17 to 21, 2012. For more information contact:
New Mexico Philharmonic Brings PULSE Performance to the KiMo:
ALBUQUERQUE, NM, August 1, 2012—Last year the New Mexico Philharmonic presented an avant garde program at the KiMo Theatre that featured electronic music and innovative film. This year,the PULSE concert is bringing an important question to the forefront: How would you change the world?
The answer came in the unusual form of New Mexico-produced documentaries with music from a New Mexico composer performed and produced by New Mexicans that truly touch the heart.
This amazing and unique collaboration comes to life on Sunday, September 30th at 4 p.m. in the most New Mexican of places, the historic KiMo Theatre with stories that highlight global issues and combine a magical performance by the New Mexico Philharmonic with the viewing of incredible scenes from two documentary films.
The issues covered include homeless children and solutions to the homeless issue in the Emmy® Award winning Documentary “LOOKING IN: Children Who are Homeless.” One of the solutions to global warming/climate change is the focus of the national PBS documentary, “The First Millimeter: Healing the Earth.”
The musical score to each of these programs was composed by New Mexico musician Jeffrey R. Jolly. The documentaries were produced and directed by New Mexican Chris Schueler. In, addition, for each of the films vocalists—a children’s choir for “Healing the Earth,” and the New Hope Full Gospel Baptist Church Choir for “Looking In”—will bring stirring performances that enhance the auditory experience.
A group of talented teachers and students from the Albuquerque Studios Film & Technology Academy of the Atrisco Heritage Academy High School as well as from DATA Charter High School will compile a video project that will be screened to the music of Albuquerque composer Daniel Davis.
Don’t miss this inspirational program created by New Mexicans for New Mexicans that will move you in new and surprising ways.
If purchased prior to September 1st, adult tickets are $24 and $16. On September 1st they will be $30 and $20. Student tickets (available only at the KiMo ticket offfice) are $10. Ticket information is available online at www.nmphil.org. Call 505-323-4343 to reserve your ticket now.
As the major professional orchestra in the state, the New Mexico Philharmonic is committed to inspiring audiences of all ages and backgrounds through its artistic excellence, innovative programming and educational and community engagement. The New Mexico Philharmonic is anon-profit corporation recognized as a charitable 501(c)(3) organization by the U.S. Internal Revenue Service. Contributions are tax deductible as allowed by the IRS. To learn more about upcoming performances or to become a volunteer, please visit www.nmphil.org.
POINT via Ann Lerner, City of Albuquerque Film Liaison:
The film industry is alive and well in Albuquerque.
We’ve seen a variety of film activity in the area this year. “In Plain Sight” finished Season 5, filming out at I-25 Studios and on location around town. “Breaking Bad” shot eight episodes of Season 5, and will be back in December for eight more episodes. “The Last Stand,” starring Arnold Schwarzenegger, filmed in Downtown Albuquerque in January. (Watch the trailer to see an impressive stunt across the intersection of Fifth and Marquette.)
And, oh yes, the largest movie being made in the world this year, “The Lone Ranger,” chose Albuquerque Studios as its home for offices and sets and built two western towns out by the Rio Puerco, filming here for months.
“2 Guns” just wrapped, “Lone Survivor” starts filming in October for nine weeks. Two other films will be shooting this fall as well.
Numerous independent filmmakers are making low-budget projects – from features, to shorts, to webisodes.
So why do people like to film in Albuquerque? Besides the 310 days of sunshine, no natural disasters, close proximity to Los Angeles, an easy-to-use film tax incentive and a strong film crew base, we have a world-class infrastructure of stages, equipment companies, suppliers and businesses relating to the movie industry.
And Albuquerque can double for many different location looks – we can be Cincinnati (“Wild Hogs”); Munich (“Beer Fest”); Mexico border crossing (“2 Guns”); Los Angeles (“Crash TV”); New York (“The Resident”).
But I think a large part of the reason people like to film in Albuquerque is because of the open reception filmmakers receive from neighborhoods and businesses and the administration.
We offer one-stop film-permitting. We recognize that filming dates may change due to weather or illness or some other factor and are flexible.
Our filming guidelines require production companies to limit the number of large vehicles in a neighborhood and provide notification of filming dates and times. We have a program asking productions to give $100 to the neighborhood association for each day of filming. To date, over $60,000 has been raised.
We respect the production companies and welcome them for bringing in new money and providing well-paying and creative jobs for our citizens.
Production companies respect our highly skilled labor force and willingness to allow filming in the area.
Our reputation is strong. The Film Office is busy reading scripts and leading location scouts for potential future work. We’re issuing permits. Our phones are ringing.
Thank you for keeping Albuquerque film friendly!
COUNTERPOINT via Jon Hendry, President New Mexico Federation of Labor:
Our film liaisons are a hidden treasure.
The hard work of such great people as Ann Lerner in ABQ, Jan Wafful in Alamogordo, and Lisa Van Allen in Santa Fe, along with a dozen others around the state who back up the New Mexico Film Office and do great work in their communities, is a huge part of our industry success. I believe that Ann’s excellent editorial in today’s Journal speaks highly of her office, her pride in the community, and the effect that we in film have had on so many ancillary businesses. Bravo!
However, I respectfully disagree on the state of the NM film business. When 50/1 wraps, there will be slim pickings for NM crews through Breaking Bad‘s final eight episodes. While Lone Survivor is trying hard to employ as many locals as they can, for technical reasons they have to bring in more crew than we would like in fields where we are not strong. Hopefully, that is something we can all address in the future. One film can’t carry more than 1000 qualified technicians plus actors, stunt people, drivers, PA’s, and the host of others who have come to rely on this business. Rumors of an eminent super-hero movie only help a little, since we know that the vast majority of key or best boy positions will not go to locals. While they may fill hotel rooms, rent cars, and buy lumber, these kinds of movies don’t always help the working crew. We can’t expect micro budget pictures to pay comparable rates or the benefits we need; that’s ok, bring them on, we appreciate them, but it’s not the road to full employment.
As well as things are going, the warning lights are also flashing, and I believe we’re reaching that critical area where we need to deal with these situations in the upcoming legislative session. After two years we know what works and what doesn’t. My suggestions follow. On most I think you’ll find general industry consensus and on others some dissension, but I think we’ll find some suggestions that the legislature can agree with and that will allow the taxpayers to feel they are getting a good return on their investment.
1) We need to return to the original legislative intent of $50 million. In order to do that we need a cost of living increase as we’re the only “capped incentive”. That is going to seem extremely moderate now but we need the protection for the hyper inflation that may occur and could basically wipe us out of the business. By doing so we ensure that in real dollars the $50 million stays constant.
2) TV series employ more New Mexicans in all facets of the business than anything else, and we need to give them the certainty they will get their money when they make a commitment to us which could be up to five years. I’m open to suggestions on how we do this but I think the way is to exempt them from the cap.
3) We need to make some technical changes in the language of that rather rushed bill that allows a rollover of unused credits that we can accumulate as we already have a substantial balance from the last few years and a payout of $50 million. There is no reason for it to be staggered if we have the money. Sitting on it doesn’t help anyone, especially the state budget process.
4) We need to set up a system that, when Tax & Rev has approved a rebate, picture companies can monetize this. I believe the private banking system can look at doing this. I also believe some of us in NM might contribute to a fund that would not only give a return but help us get more pictures and, most importantly, ABQ, Bernalillo County, SF city & counties, Alamogordo, and Otero County could look to their bonding capacity to help this occur. It would be very useful if we could put this money in to the project while they are still here shooting and spending money and not two years down the road when they are long gone. Alaska is looking at a cash flow model, private funds can move much quicker than governmental entities, but Tax & Rev would have to come up with a certification program.
5) Perhaps most controversially, I think we need to do much, much more to ensure that the companies generating the rebates for the production entities are NM based and the money stays in the state. It’s almost a game to figure out how to make out of state people and equipment and other purchases rebateable. We shouldn’t be asking Tax & Rev to play “whack a mole”. When we solve one issue another pops up and that’s not good. We thought the bricks and mortar requirement solved this but in some cases it made it worse. I want to be able to say with hand on my heart that we rebate no one from out of state and we keep the money here where it was generated and where it’s needed. Any perception that this is welfare for Hollywood isn’t good. This should be a legislative priority.
I’m open to other suggestions. What I can’t work with is a situation where on the top end we’re being squeezed by the amount of money we can put out and on the bottom end we are squeezed because these companies are employing fewer New Mexicans and spending more money with large chains who don’t pay taxes here or out of state companies are working through facilitators instate that help them get an undeserved rebate. If anyone else feels we’re doing sensationally well I am happy, after ensuring confidentiality, to share payroll figures with you – it’s not great.