Palin camp officially and uniformly “denounces” NM Production of “Game Change”.
Palin camp officially and uniformly “denounces” NM Production of “Game Change”.
From On Location Casting:
1. SANTA FE Extras Notice “Game Change” for MON. 6/13/11. PHOTOGRAPHERS – male & female, ages 25-55, clean-cut, professional with business attire. REAL PHOTOGRAPHERS with experience and own equipment. Call time will be VERY early in the morning and you MUST be available ALL day in Santa Fe. If not in OLC database, email photo ASAP to: onlocationcastingNM@yahoo.com subject PHOTOGRAPHER.
2. SANTA FE Extras Notice “Game Change” for MON. 6/13/11. SOLDIERS – male, ages 18-50, fit/athletic, REAL soldiers with military experience and military haircuts (or willing to go and get own “buzz” cut. Call time will be VERY early in the morning and you MUST be available ALL day in Santa Fe. If not in OLC database, email photo ASAP to: onlocationcastingNM@yahoo.com subject SOLDIER.
New Mexico’s “biggest budget web series” is filming a pilot right here in Albuquerque, New Mexico in late October.
Hunter’s Game is a dark, methodical, yet hopeful drama web series, following the life of Hunter Williams, a haunted teen plagued with visions of future events that he battles to change. The psychic teen tries to maintain a normal life, while waging a secret war with fate, in order to save lives by influencing future events.
Visit www.huntersgame.tv for more about the storyline.
There’s still time to submit for some of the following roles in the series:
(Deadline is October 6, 2013)
Hunter Williams: (Caucasian Male) Lead role – A haunted teen, age 17-19, athletic build, black/brown hair, tall(No tattoos/piercings). Hunter is a leader to his peers and a joy to his family. Haunted by visions of a past he was too young to prevent, Hunter hides a dark secret. Hunter’s life is a meticulous balancing act of deception, loss, hope, fear, failure, secrets and quiet redemption.
KEIRA DALEY: (Female) A dark, secretive, teen, age 16-18, who has come to live with Alayna Sage after being removed from her violent home. After seeing Hunter, Keira recognizes him for the gifted psychic he is and is determined to ingrain herself into his life with an agenda all her own.
MADISON ROGERS: (Caucasian Female) A beautiful, smart, strong Christian, 16-19, Madison is the light to Keira & Alayna’s dark in Hunter’s world. Madison is Hunter’s balance, his foothold with the acceptable side of life. Though sweet, she is not perfect.
SIERRA LAWRENCE: (Female) Best friend to Madison, 16-19, and girlfriend to Noah, Sierra is a teen born in the wrong era. Free-spirited and gypsy-like, Sierra is the one who is always throwing a wrench in the works for those around her. Outspoken and daring, Sierra’s live-out-loud presence sometimes draws unwanted attention from the wrong people.
NOAH PARKER: (Male) A comedic dreamer and hopeless optimist, 17-19, Noah is Hunter’s best friend. For all of Hunter’s seriousness, Noah’s happy-go-lucky attitude helps lighten Hunter’s dark and heavy emotions. Deep down however, Noah is harboring his own demons.
TRACEY WILLIAMS: (Caucasian Female) The “got-it-all-together” wife of Ethan Williams, age 32. Tracey is the glue that holds Ethan’s family together. Unaware of the troubled past that Ethan, Brayden and Hunter share, Tracey tries to bridge the ever-widening gap between the three men.
ZACHARY WILLIAMS: (Caucasian Male) Hunter’s new rambunctious stepbrother, 9-11, who is a big part of Hunter and Ethan’s lives.
LUKE KINARD: (Male) – Fun-loving detective, 28, always finds the bright side to life, no matter how dark the world around him becomes. Brayden’s new partner from Houston, TX.
Isaac Reynolds: (Male) A methodical, child-serial killer, strong, athletic type, 25, who begins a battle of wits with Hunter.
OLIVER EISNER: (Male) Tough, intimidating lieutenant, late 50s, who has lost patience with the system and those working in it.
GABRIEL FLORES: (Hispanic Male) Aggressive but likeable, young detective, age 29, working his way up the ranks.
AMY CORRALES: (Female) A happy-go-lucky child, 6-9, that is kidnapped from her home, but later saved by Hunter.
CYNTHIA CORRALES: (Female) Loving Mother to Amy, 30-35.
REX MARTINEZ: (Hispanic Male) Quiet, best friend to Zachary Williams, 9-11.
JUSTIN ARANDA: (Hispanic Male) 23, patient, willing to learn, younger EMT Partner to Ethan Williams.
YOUNG BOY, age 7, to play murder victim of Isaac.
Send all resumes and headshots to Casting @huntersgame.tv.
Experienced crew interested in working on this project submit resume and contact information to Crew @HuntersGame.TV.
GAME OF FOOLS – ARMCHAIR QUARTERBACK SAYS:
What do you bring to the table? Do you come to the table for sustenance or to battle?
You can either bring what you have to give freely or else you’re just playing checkers (or chess, I don’t actually know how to play checkers, but I do play chess badly, and I know it is a very adversarial game – wherein you are out for yourself, playing against your opponent, strategizing to defend your armory and take out the other side’s, to accomplish a very personal and singular victory).
Conversely in a true partnership, you bring what you have, not only to sustain yourself, but moreover what you have in abundance for the benefit of another. All the while maintaining the balance of preserving and nurturing your own needs, for the more you make of yourself the more you’ll bring and have to give to the partnership.
You’ll have to ask yourself what you truly need, whether those needs are absolute and finite requirements (also flippantly known as “deal breakers”). For example in most cases, fidelity is an absolute requirement and less often adhered to as a “deal breaker”. That is just one obvious example of something one might absolutely “require” out of a partnership.
Of course there is an endless minutia of varying needs between partners, and at various points throughout our partnerships, our needs change and our partners needs change. I’ve learned quite concretely that if both partners don’t acknowledge that and tend to it, a partnership quickly devolves into the aforementioned adversarial battle, instead of a firm base from which two people can grow and thrive.
Ask yourself, “Does my partner adhere to my must-haves (fidelity)? Do I?” Are you appreciative of that to one another? Do you demonstrate that appreciation? How? Then look at your “nice to haves”. What is it that would be, or is a bonus to your concrete needs? Those are usually the mutual and private courtesies you lend each other, quirks that are met, understood and maybe even nurtured. Your contributions to that may be in the recognition and care of those traits in your partner, but it can also be the recognition and care of those traits for yourself.
Personally, I know that there are always up times and down times, usually based around purely emotional needs, for whatever external or internal reasons that need to be addressed. I may be at an insecure place where I need pretty constant affirmation or reassurance (now that takes on many varying and very personal terms, for everyone – see The Five Love Languages by Gary Chapman).
In those varying and often trying times of greater need, in whatever particular issue you or your partner may be dealing with, you don’t have the right to demand that the need be met, nor do you have the obligation to meet it for the other person. HOWEVER – you do have the supreme, absolute (and rarely utilized) power to ask yourself what you can do about it, whether for yourself –or- for the good of the partnership (which are essentially one in the same).
If your particular trial is currently affecting your ability to function, you may need pretty immediate assistance. You can usually recognize this because of either underlying or completely overwhelming frustration. Identify for yourself what is causing YOUR frustration. Identify for yourself what you might need to help you cope with it. Ask yourself what you can do to address your own issues. Do you need your partner’s help? What do you need your partner to do for you? Take some of your workload, leave you alone, talk it through, hold your hand, or provide distraction for you? Only you know the answer as to what you really need.
If you both come to table with an abundance of what makes you great on your own, plus a bounty to lend, you’ll have a true partnership. On the other hand if you want to play games, wage internal and external wars – prepare for a long and fruitless battle.
When you are seated at “the table” together you should both see it as a living and constantly changing landscape. Are you tending to that landscape together, both on your own accord and at the behest of your partner? Are you both being reasonable in your evaluation of what you each have to offer and what you both need?
At the end of every day (sometimes every moment) you’ve got to be accountable for meeting your own needs as best you can before you can blame your partner for not meeting your unreasonable, often unidentified and certainly not well communicated needs. In case of emergency, you’ve first got to place the oxygen mask over your own face to survive and most definitely before you can be of any assistance to anyone else.
Once your oxygen levels are met, and if there are no hard stops or “deal breakers” in this moment of your relationship, the next step, the next moment is again up to you. If you need it ask for it. If you can get it or give it to yourself, do that and save adding an additional task to your already hard working partner – who should be doing the same for themselves so that you can independently breathe easy for as long as possible, so that in those moments of true crisis or need between you, you’re both rested and ready to work to support each other through whatever may come, as those heightened needs arise.
In summation, I’d advise anyone, at even a momentary crossroads in their relationship (usually self induced and not nearly as critical as you are likely making it out to be #guilty), to remember one thing and then to do another; number one is unfortunately a Dr. Philism, and that is, the only person you can control is you. #truth
Second is the coolest exercise I ever read in any book or magazine (this one happened to come from O Magazine) and it goes like this:
Fill in the blank – To feel ____________________________, I need my partner to ____________________________.
Turn the page – Now cross out “I need my partner to”, and just feel that.
UPDATE 3/26/12: North Carolina strikes gold with Hunger Games where New Mexico struck-out on film jobs, economy AND tourism…
The impact of the film could be far-reaching. The books, by Suzanne Collins, have sold millions of copies. Syrett said Lionsgate Films has an “incredible” marketing campaign behind the film.
“You can’t buy a billboard this large,” Syrett said Wednesday. “It will have a tremendous tourism impact for years to come.”
Having a film shoot in your area is certainly a profitable venture. The North Carolina film commission has revealed that preliminary figures show that The Hunger Games brought nearly $62 million into the local economy.
The following Charlotte Observer story extracts that scenery among other accolades N.C. has to offer are what landed the state this and more upcoming major productions, including Iron Man 3, which also considered New Mexico during the particularly embattled period of time when our own state film futures were highly contested by the then incoming administration.
“…When “The Hunger Games” was scouting locations, Canada and New Mexico were also considered, Jacobson says. But, in addition to the tax-incentive program, “North Carolina really had it all visually for us.
…The Hunger Games” is the biggest film project to land in North Carolina, which has seen increased interest from filmmakers and TV producers thanks to one of the most robust tax-incentive programs in the country: Filmmakers can get a refund on 25 percent of salaries and money they spend on taxable items in North Carolina, worth up to $20 million per project.
…Currently, the state is hosting 10 productions (feature films including Marvel Studios’ “Iron Man 3” and TV series including Cinemax’s “Banshee”).
From a state whose Governor embraces and works to build film as a job creating priority, Theoden Janes of the Charlotte Observer reports from Los Angeles with the kind of journalistic prose that paints a romantic and beautiful picture of the film making, destined to cast a flattering spotlight on North Carolina for the rest of the world to see.
By Theoden Janes
LOS ANGELES – The five-star Four Seasons Hotel seems to have everything a movie star could desire, but Lenny Kravitz is fantasizing about something that’s 2,400 miles away: Price’s Chicken Coop.
Charlotte’s renowned fried-chicken joint is one of the things the rocker-actor misses most about North Carolina, where “The Hunger Games” was shot over four months last year.
“That’s my joint,” says Kravitz, as he sinks into a sofa in a suite. “Normally, I eat very healthy and organic, so people are probably saying, ‘He eats that?’ But I gotta get country every now and again.”
Kravitz, several other “Hunger Games” cast members, and filmmakers jumped at the chance to talk about the Tar Heel State, toward the end of a recent weekend they spent fielding many of the same questions over and over again from journalists about the $90 million production, which was filmed between May and September 2011.
“It’ll be nice to talk about Charlotte, which I loved,” says director Gary Ross as he greets a visitor to another Four Seasons suite.
The release of the film is a huge deal to Ross and Kravitz and the fellow cast and crew. It’s an equally big deal for North Carolina.
‘N.C. really had it all visually’
“Talladega Nights: The Ballad of Ricky Bobby” from 2006 is the highest-grossing film shot in the state; the NASCAR sendup topped out at $148 million. “The Hunger Games” – in theaters on Friday – could surpass that in two weekends.
Analysts believe it could become one of the biggest blockbusters ever, with good reason: It is based on a 2008 young-adult novel by Suzanne Collins that has sold 23.5 million copies; it stars a Hollywood It Girl-slash-Oscar-nominated actress (Jennifer Lawrence); and unlike “Twilight,” boys and men freely admit they like it.
The story is set in a bleak, dystopian future in which a postwar North America has been renamed Panem and divided into 12 districts, which surround a wealthy seat of government known as the Capitol. As punishment for a decades-ago rebellion, the Capitol annually selects one boy and one girl from each district to compete in a televised battle to the death.
Nina Jacobson, the film’s primary producer, says North Carolina provided ideal locations for each of the tale’s main settings – District 12 (home of Lawrence’s character, Katniss Everdeen), the Capitol, and the Arena (where the Games take place).
Remote portions of DuPont State Forest near Asheville were perfect for the artificial landscape the Capitol creates for the Arena; the insides of newer, clean-line uptown Charlotte buildings stood in nicely for the Capitol.
Multiple shooting locations were convenient because of economic struggles in North Carolina. An abandoned mill village outside of Hildebran (Henry River) and an old warehouse in Shelby (Royster P&M) were used to bring to life District 12, a poverty-stricken, rural Appalachia. The former Philip Morris cigarette manufacturing plant in Concord also got plenty of use.
“For District 12, when we found the areas around Shelby and in Henry River, we were blown away by how much that felt like we were reading the book and imagining it in our mind’s eye,” Jacobson says. “Having such great specificity to the Appalachian roots of Katniss’s character felt really right to us.
“Asheville and the woods had a sense of a wilderness so beautiful it could feel artificial. And Charlotte is an incredibly modern city. We were able to take advantage of some of your local architecture. Then we also had Philip Morris, which was this ominous concrete compound that worked great for the Capitol interiors.”
When “The Hunger Games” was scouting locations, Canada and New Mexico were also considered, Jacobson says. But, in addition to the tax-incentive program, “North Carolina really had it all visually for us.”
Where they lived, hung out
Because the shoot lasted all summer, the cast and crew became well-acquainted with the area.
Lawrence, the star, rented a house in the NoDa area of Charlotte. Ross, the director, rented one in Myers Park. The adult cast members took up residence at the Ritz-Carlton in uptown. Kravitz, who plays Katniss’s stylist in the film, rented out Bojangles’ Coliseum for a month to rehearse for his “Black and White America” world tour (currently making the rounds in Australia).
And they didn’t hide from view. Male lead Josh Hutcherson – who plays Katniss’s fellow District 12 tribute, Peeta Mellark – enjoyed a zipline tour in Asheville so much, he went back two more times. Ross was a repeat diner at the Customshop restaurant on Elizabeth Avenue. (“I ordered the pork belly a lot and I garnered that nickname.”)
Many cast members went to see Kid Rock and Sheryl Crow perform at Verizon Wireless Amphitheatre in late August, says actress Elizabeth Banks, who plays Effie Trinket, escort for the District 12 tributes.
“I thought Charlotte was beautiful. It’s so clean. Really walkable,” says Banks, who has another trilogy on her resume – “Spider-Man” 1, 2 and 3 – and has been featured as a frequent guest on the NBC sitcom “30 Rock.” “I had my son there, so it was nice to be able to go out every day and just kind of walk around, and I thought the downtown was really cool.”
Asheville was even more popular, though. The production was based there for almost two months, while the actors and filmmakers shot the Arena scenes in the DuPont forest, the Coleman Boundary in Barnardsville and the North Fork Reservoir in Black Mountain.
“Asheville’s one of the greatest places you can spend a summer, it really is,” says Ross, who has received Oscar nominations for writing “Seabiscuit,” “Dave” and “Big.” “It’s very transforming in a lot of ways. It’s this little jewel of a city off in the mountains.”
Among the favorite hangouts? The Battery Park Book Exchange and Champagne Bar. “The stacks go on and on and on and on,” Ross says, “and it just became a wonderful environment where you would wander by the Book Exchange and find a bunch of crew or people from the movie sitting there and reading and having a coffee during the day.”
Says Hutcherson, who is also currently starring in “Journey 2: The Mysterious Island” with Dwayne “The Rock” Johnson: “Shooting in Asheville was incredible. It was cool to go somewhere and get away from it all and shoot this movie. Especially with all the hype surrounding it, it was nice to be where there weren’t cameras and there weren’t people getting in your head.”
‘It was just so hot’ on the set
The production didn’t go off without a hitch, though.
One of the first segments filmed was the Reaping Ceremony, when Banks’ character selects the names of the two teenagers who will represent District 12 in the Games. These scenes were shot outside an old warehouse in Shelby in May – as the area was going through a heat wave.
Throughout the film, Banks appears in a costume that took half an hour to put on and in makeup that took 21/2 hours to apply. With temperatures soaring into the triple digits, the get-up became unbearable.
“I got heat exhaustion for the first time in my life while I was there. It was crazy,” she says. “The only thing that was keeping me going was the adrenaline of shooting, because the minute they called wrap, I literally collapsed. I could barely form words.”
After that, producers gave her a personal air-conditioner. “It was blowing directly on me. It (showed) the temperature on it, and it never got below 87. So even with a full air-conditioning unit blowing on me, it still was almost 90 degrees the entire time we were there.”
The Reaping scenes involved scores of extras, many of whom were children; Banks and Lawrence both say they saw girls who had fainted due to the heat. They helped distribute water and tried to keep the extras’ spirits up.
“There was nothing we could really do, because we were outside – there was really nowhere people could go to cool down,” says Lawrence, an Academy Award nominee for 2010’s “Winter’s Bone.” “We tried to make as much shade as possible … making everybody drink a lot of water, but it was just so hot.”
Read more here: » Read the full post
Front and center, Tina Fey is on her way…
Film Supporting Actor – Jennifer Aniston
TV Movie/Limited Series – Jennifer Lopez and Jeremy Renner
Clip of “Birdman” – Naomi Watts
Clip of “The Imitation Game” – Colin Firth
TV Comedy Actress – Bryan Cranston and Kerry Washington
Film Score – Sienna Miller and Vince Vaughn
Intro of Miss Golden Globe – Kevin Hart and Salma Hayek
Clip of “Into the Woods” – Kate Hudson
Film Screenplay – Bill Hader and Kristen Wiig
Foreign Language Film – Colin Farrell and Lupita Nyong’o
TV Drama Actor – David Duchovny and Katherine Heigl
Cecil B. DeMille Award to George Clooney
Film Director – Harrison Ford
TV Drama Actress – Anna Faris and Chris Pratt
Film Comedy/Musical Actor – Amy Adams
Clip of “Foxcatcher” – Channing Tatum
Comedy/Musical Film – Robert Downey, Jr.
Film Drama Actress – Matthew McConaughey
Best Actress honors went to Julianne Moore (Drama, “Still Alice”) and Amy Adams
Jake Gyllenhaal, “Nightcrawler”
Jennifer Aniston, “Cake”
Julianne Moore, “Still Alice”
Amy Adams, “Big Eyes”
Emily Blunt, “Into the Woods”
Helen Mirren, “The Hundred-Foot Journey”
Julianne Moore, “Maps to the Stars”
Ethan Hawke, “Boyhood”
Mark Ruffalo, “Foxcatcher”
Meryl Streep, “Into the Woods”
Kevin Spacey, “House of Cards”
Claire Danes, “Homeland”
Ruth Wilson, “The Affair”
William H. Macy, “Shameless”
Gina Rodriguez, “Jane the Virgin”
All but one of the Best Supporting Actor Nominees:
Woody Harrelson, “True Detective” – THREE TIME #NMFilmer, Natural Born Killers, No Country For Old Men, Game Change
Matthew McConaughey, “True Detective”
Mark Ruffalo, “The Normal Heart”
Billy Bob Thornton, “Fargo”
Write-in to email@example.com if we’ve missed anyone you noticed!
SANTA FE — State Representative Dona G. Irwin and Deming Mayor Andres Silva announced today that “ENEMY WAY” starring Academy Award Winner, Golden Globe Winner, and BAFTA Winner Forest Whittaker (The Last King of Scotland, Criminal Minds, Repo Man) will be filming in and around Deming April 3rd – May 3rd and Albuquerque May 7th – May 28th.
The film is directed by Rachid Bouchareb (True Justice, Maximum Conviction) nominated for an Academy Award and 2 Oscar as well as the Palme D’or at Cannes. Rachid’s “Outside the Law” was released in the US in 2011 and has garnered Rachid his third Oscar nomination for Best Foreign Film. He just completed “Just Like A Woman” with Sienna Miller and Golshifteh Farahani, which shot in Chicago and New Mexico. The film is slated for release in the US in 2013.
“ENEMY WAY” is a story that takes place in Deming, New Mexico. Willie Garnett finds himself fighting his inner demon. Garnett must persevere, but will he be able to take on the most powerful man in Luna County?
“ENEMY WAY” Plans to spend over a month in Deming plus a month of wrap. $5 million dollars are to be injected to the Deming economy.
“The Runaway” Balliwood meets Tamalewood in this road film to be shot entirely in New Mexico. Award winning filmmaker Brad Littlefield from Open Range pictures is crewing up once again!
Extrordinary filmmakers from around the world come to New Mexico. Director Semir Banerjey from Hotel New York, from Russia Assitant Director Anna Zaitsevah, Japanese Director of Photography Katsumi Funihashi, and casting director Farrah West who worked with Lost and Dark Blue work with Littlefield to bring up to 50 jobs to New Mexico and will employ up to 50 cast and crew.
Jon Hendry, IATSE local 480 the film technicians union, said, “This is a game changer for Deming. This high profile project not only will spend millions but put Southwest New Mexico firmly on the movie map. My members look forward to spending their money and the movie’s money in Deming “
UPDATE FROM ELIZABETH GABEL: Need Hispanic men between 25 and 35 with NO tattoos for “Frontera”. IF you fit these specs please email a photo and your phone number to firstname.lastname@example.org
via Dirk Norris
Please email a photo with a phone number to
10/29/12 SANTA FE —New Mexico Film Office director Nick Maniatis announced today that the independent feature film “Frontera” will start production early November through early December. Shooting will take place in and around Albuquerque. The production will employ at least ninety-five (95) New Mexico crew members and forty (40) principal talent from New Mexico. Directed by Michael Berry and produced by Mike Witherill (Drinking Buddies), Eric Williams (A Night in Old Mexico) and Juan Luis Moulinett III. “We are pleased to bring our project to the state of New Mexico. It is a great location for this film,” said Eric Williams. Starring Ed Harris (Game Change, Sweetwater, A Beautiful Mind), Michael Pena (Million Dollar Baby, Crash), Eva Longoria (Desperate Housewives) and Amy Madigan (Field of Dreams, Gone Baby Gone), Frontera is a story about a Sheriff’s wife killed in a robbery by a Mexican man that has illegally crossed into the United States.
Study or no study, New Mexico banks on long running series like Breaking Bad, In Plain Sight, Crash and Longmire as the life’s blood of its film production jobs and statewide peripheral spending. Mega hits like The Avengers and the hotly anticipated, Lone Ranger film spike excitement and international recognition of the state.
Repeat appearances too, of stars like Ed Harris who’s heading back for a third run in NMFilm, boost awareness of the local industry. Following his turn as John McCain in the Emmy winning HBO movie “Game Change”, and work on the recently wrapped period western “Sweetwater” with January Jones, Harris is now making news with his latest NM project, “Frontera” – costarring the lovely Eva Longoria.
Superstar Mark Wahlberg is watched the world over, and as we told you here, is now a two-term NMFilm star. At OHI we hear nothing but praise from cast & crew who have worked with the actor/producer (The Fighter, The Perfect Storm/Boardwalk Empire, Entourage) and proud family man, who is genuinely interested and concerned about those around him. The star has been quick to praise the state’s film crews and locales – he’s one of the good guys who are lending the state some positive notoriety with his return to local sets for his back-to-back turn in the NM productions, “2Guns” and “Lone Survivor”.
NMFILM PRODUCTIONS – KEEP ‘EM COMING & GET INTO IT!
State Film Office Press Release 6/27/12:
Many started to speculate about a Mad Men hiatus when Don Draper, nay that really handsome guy, Jon Hamm was spotted sporting the Grizzly Adams look.
Now we know that his Mad co-star January Jones will be at work right here in New Mexico come July.
Last week Deadline confirmed that Jones will join Ed Harris in the 1800’s Western Drama, Sweetwater.
Harris has previous experience with the film’s directors, Logan and Noah Miller with whom he starred in their original film, Touching Home. The star is also no stranger to NM, with his recent turn as John McCain in HBO’s political drama, Game Change.
Sweetwater is the story of a widow (Jones) who enlists the help of the town sheriff (Harris) to take revenge on the sheep ranchers who have murdered her husband.
Multiple sources are reporting that production is scheduled to begin in New Mexico in July.
The Daily Blam – Today, EUE/Screen Gems Co-owner and COO Chris Cooney confirmed that the Marvel Studios production of “Iron Man 3” will shoot at EUE/Screen Gems in Wilmington, NC for the majority of the production.
North Carolina Governor Beverly Perdue joined Cooney at a press conference at the studios this afternoon. The major motion picture is scheduled for release in 2013. Marvel executives considered locations in Los Angeles, Michigan and New Mexico before deciding the right mix of space, talent, and incentive were available in the North Carolina coastal city.
“We aggressively pursued this piece of business,” says Cooney. “We negotiated hard, and it paid off….
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ICYDK: You can’t throw a stone without hitting someone or something tied to NM Film – but don’t.
Like the intricate threads woven throughout classic literature…such as in a Cormac McCarthy novel turned film…like the Coen Bro’s Oscar® winning turn at the McCarthy best selling novel, No Country for Old Men, so is New Mexico woven into the fiber of Global Film…
Garret Dillahunt the lovably daft undersheriff to Tommy Lee Jones in No Country is named as the lead in the New Mexico production of The Boys of Abu Ghriab.
Another No Country star, Woody Harrelson is soon to be seen in the HBO original film Game Change which recently wrapped Northern N. Mex. filming…
The Coen bros put “pen to paper” for the reboot of the 1966 film Gambit, this time out starring Cameron Diaz & Colin Firth now filming in…yes, New Mexico!
The likewise best selling Dean Koontz novel turned highly anticipated NM movie, Odd Thomas is (back) at work this week.
Odd director Stephen Sommers also churned out 2009’s GI Joe which starred Sienna Miller and Channing Tatum…Sienna’s current project, Just Like a Woman is now casting and set to shoot right here in NM.
Tatum’s upcoming New Mexico movie Ten Year is expected to premiere this year…but you never can tell, another GI Joe co-star Rachel Nichols starred in the NM film Bird of the Air (formerly titled The Loop) and we’re still waiting on its release.
This isn’t the first NM term for Odd Thomas star Anton Yelchin, who is back for another run as he was for the soon to be released thriller Fright Night.
Bridges also worked in NM…in last year’s True Grit along side Matt Damon who first worked NM waay back in ’99 in All the Pretty Horses a film based on the novel of the same name by…you guessed CORMAC MCCARTHY…
And that’s a Big Screen String…New Mexico Style!
UPDATE 10/3/11: Tarantino and Co. have chosen Louisiana over New Mexico for Unchained. Production begins this November.
May film tizzies lend to July speculations…after the hand scrawled cover of what is presumed to be the final draft of Quentin Tarantino’s latest script began circulating all over the www this spring more details have been slow to follow about Django Unchained…
Of particular interest here is that the Natural Born Killers director who shot part of that film aqui with Woody Harrelson, whose HBO film Game Change just left NM and current/temporary res. Samuel L. Jackson all tie-in nicely to the web of movie past, present and future of which N. Mex is intrinsically a part!
Harrelson may or may not be a part of this particular film but the list of big names who are is rapidly growing…from Leonardo DiCaprio to Christoph Waltz, Samuel L. himself and Jamie Foxx…
New Mexico too is rumored to star…
More on what has so far been confirmed about the film as reported by The Daily Mail back in May after the jump >>
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Sessy Ed Harris is New Mexico bound!
The HBO movie Game Change is due south by southwest and will be bringing its production to New Mexico – home of the Latina
gag Sarah Palin!
The cable giant film is based on the bestselling book by John Heilemann and Mark Halperin about the failed McCain/Palin run against the current presidential administration and the political race that made it all so.
Blockbuster casting agency On Location Casting nabs the task of employing paid extras and background for the political drama aquí en Nuevo México. Click here for the specs on types they’re looking for.
Filming begins and ends here in June. If only certain administrations would have such a brief run.
Anybittermuch, Woody Harrelson was the most recent cast announcement, slated to play McCain campaign manager
Palin wrangler, Steve Schmidt.
UPDATE 3/14/13 NM Film held hostage in compromise debate:
I’m very disappointed in the lack of compromise by the other party, and by the unbalanced approach to our state budget taken by many lawmakers. While the Democrats want me to agree to pay increases for government employees and larger subsidies for Hollywood corporations, they have refused to pass meaningful education reforms to improve student achievement, and they have refused to lower taxes to make New Mexico more competitive to help businesses grow and to create more jobs…They have also refused to pass a bill repealing the law giving driver’s licenses to illegal immigrants, despite my repeated attempts at compromise.
-Governor Susana Martinez 3/13/13
See a breakdown of the “Hollywood Bashing” by New Mexico’s premiere Political Blogger Joe Monahan here.
Mary Ann Hughes, vice president for film and television production planning at the Walt Disney Co., which owns and operates several television networks, told the Journal she is watching the legislation closely.
“It’s a game-changer for us,” Hughes said. “It puts New Mexico as among the top leaders in the world regarding locations for a television series.”
-Albuquerque Journal 3/13/13
“Big studio execs ready to move production to New Mexico when “Breaking Bad” bill signed by Governor Martinez”
POINT via Ann Lerner, City of Albuquerque Film Liaison:
The film industry is alive and well in Albuquerque.
We’ve seen a variety of film activity in the area this year. “In Plain Sight” finished Season 5, filming out at I-25 Studios and on location around town. “Breaking Bad” shot eight episodes of Season 5, and will be back in December for eight more episodes. “The Last Stand,” starring Arnold Schwarzenegger, filmed in Downtown Albuquerque in January. (Watch the trailer to see an impressive stunt across the intersection of Fifth and Marquette.)
And, oh yes, the largest movie being made in the world this year, “The Lone Ranger,” chose Albuquerque Studios as its home for offices and sets and built two western towns out by the Rio Puerco, filming here for months.
“2 Guns” just wrapped, “Lone Survivor” starts filming in October for nine weeks. Two other films will be shooting this fall as well.
Numerous independent filmmakers are making low-budget projects – from features, to shorts, to webisodes.
So why do people like to film in Albuquerque? Besides the 310 days of sunshine, no natural disasters, close proximity to Los Angeles, an easy-to-use film tax incentive and a strong film crew base, we have a world-class infrastructure of stages, equipment companies, suppliers and businesses relating to the movie industry.
And Albuquerque can double for many different location looks – we can be Cincinnati (“Wild Hogs”); Munich (“Beer Fest”); Mexico border crossing (“2 Guns”); Los Angeles (“Crash TV”); New York (“The Resident”).
But I think a large part of the reason people like to film in Albuquerque is because of the open reception filmmakers receive from neighborhoods and businesses and the administration.
We offer one-stop film-permitting. We recognize that filming dates may change due to weather or illness or some other factor and are flexible.
Our filming guidelines require production companies to limit the number of large vehicles in a neighborhood and provide notification of filming dates and times. We have a program asking productions to give $100 to the neighborhood association for each day of filming. To date, over $60,000 has been raised.
We respect the production companies and welcome them for bringing in new money and providing well-paying and creative jobs for our citizens.
Production companies respect our highly skilled labor force and willingness to allow filming in the area.
Our reputation is strong. The Film Office is busy reading scripts and leading location scouts for potential future work. We’re issuing permits. Our phones are ringing.
Thank you for keeping Albuquerque film friendly!
COUNTERPOINT via Jon Hendry, President New Mexico Federation of Labor:
Our film liaisons are a hidden treasure.
The hard work of such great people as Ann Lerner in ABQ, Jan Wafful in Alamogordo, and Lisa Van Allen in Santa Fe, along with a dozen others around the state who back up the New Mexico Film Office and do great work in their communities, is a huge part of our industry success. I believe that Ann’s excellent editorial in today’s Journal speaks highly of her office, her pride in the community, and the effect that we in film have had on so many ancillary businesses. Bravo!
However, I respectfully disagree on the state of the NM film business. When 50/1 wraps, there will be slim pickings for NM crews through Breaking Bad‘s final eight episodes. While Lone Survivor is trying hard to employ as many locals as they can, for technical reasons they have to bring in more crew than we would like in fields where we are not strong. Hopefully, that is something we can all address in the future. One film can’t carry more than 1000 qualified technicians plus actors, stunt people, drivers, PA’s, and the host of others who have come to rely on this business. Rumors of an eminent super-hero movie only help a little, since we know that the vast majority of key or best boy positions will not go to locals. While they may fill hotel rooms, rent cars, and buy lumber, these kinds of movies don’t always help the working crew. We can’t expect micro budget pictures to pay comparable rates or the benefits we need; that’s ok, bring them on, we appreciate them, but it’s not the road to full employment.
As well as things are going, the warning lights are also flashing, and I believe we’re reaching that critical area where we need to deal with these situations in the upcoming legislative session. After two years we know what works and what doesn’t. My suggestions follow. On most I think you’ll find general industry consensus and on others some dissension, but I think we’ll find some suggestions that the legislature can agree with and that will allow the taxpayers to feel they are getting a good return on their investment.
1) We need to return to the original legislative intent of $50 million. In order to do that we need a cost of living increase as we’re the only “capped incentive”. That is going to seem extremely moderate now but we need the protection for the hyper inflation that may occur and could basically wipe us out of the business. By doing so we ensure that in real dollars the $50 million stays constant.
2) TV series employ more New Mexicans in all facets of the business than anything else, and we need to give them the certainty they will get their money when they make a commitment to us which could be up to five years. I’m open to suggestions on how we do this but I think the way is to exempt them from the cap.
3) We need to make some technical changes in the language of that rather rushed bill that allows a rollover of unused credits that we can accumulate as we already have a substantial balance from the last few years and a payout of $50 million. There is no reason for it to be staggered if we have the money. Sitting on it doesn’t help anyone, especially the state budget process.
4) We need to set up a system that, when Tax & Rev has approved a rebate, picture companies can monetize this. I believe the private banking system can look at doing this. I also believe some of us in NM might contribute to a fund that would not only give a return but help us get more pictures and, most importantly, ABQ, Bernalillo County, SF city & counties, Alamogordo, and Otero County could look to their bonding capacity to help this occur. It would be very useful if we could put this money in to the project while they are still here shooting and spending money and not two years down the road when they are long gone. Alaska is looking at a cash flow model, private funds can move much quicker than governmental entities, but Tax & Rev would have to come up with a certification program.
5) Perhaps most controversially, I think we need to do much, much more to ensure that the companies generating the rebates for the production entities are NM based and the money stays in the state. It’s almost a game to figure out how to make out of state people and equipment and other purchases rebateable. We shouldn’t be asking Tax & Rev to play “whack a mole”. When we solve one issue another pops up and that’s not good. We thought the bricks and mortar requirement solved this but in some cases it made it worse. I want to be able to say with hand on my heart that we rebate no one from out of state and we keep the money here where it was generated and where it’s needed. Any perception that this is welfare for Hollywood isn’t good. This should be a legislative priority.
I’m open to other suggestions. What I can’t work with is a situation where on the top end we’re being squeezed by the amount of money we can put out and on the bottom end we are squeezed because these companies are employing fewer New Mexicans and spending more money with large chains who don’t pay taxes here or out of state companies are working through facilitators instate that help them get an undeserved rebate. If anyone else feels we’re doing sensationally well I am happy, after ensuring confidentiality, to share payroll figures with you – it’s not great.
A message from New Mexico IATSE Local 480 Business Agent, Jon Hendry:
Having just returned from the LA Locations Expo, I have a few observations on where I believe we are going with our business here in NM. In LA, I also had the chance to talk to various people from around the country to confirm what I believe is happening nationally.
First, congratulations to everyone who attended the show and participated in the many events. Our Shoot Santa Fe partners reached into their own pockets to finance a booth, two parties, and several in-person meetings with possible clients, and they did an excellent job. Nick and Tobi from the NM Film Office along with Ann from ABQ, Jan from Otero County, and Lisa from Santa Fe did a great job at the NMFO booth which as usual looked spectacular. I can’t help but believe we had a large positive impact in allaying the many rumors I heard about NM’s demise. It’s just unfortunate that we only got to talk to the people who attended the show. Thanks to Santa Fe Studios and Santa Fe County for the full page ad in Variety which allowed us to reach a larger audience.
I had a frank discussion with a senior representative for a major studio and a production entity as well as a representative from one of our facilities about their belief that we need to rebate out-of-state crew members (particularly above the line) in order to remain competitive. It may surprise some to know that we have already done this on a couple of occasions for a limited amount of crew on major motion pictures. There is a provision whereby this can occur, but of course the taxes have to be paid and the circumstances have to be extraordinary. (On that note congratulations to NM Taxation & Revenue for auditing actors and loan-out companies to ensure they have paid their entire NM tax liabilities. It’s important that those of us who pay NM taxes know that everyone is being treated equally.)
If we were to expand our definitions… » Read the full post
Now in post-production this full length feature has a ready and waiting audience, built-in from the avid fans/followers of the original short by Calvin Lee Reeder.
Mañana: The fabled creature that is the impossibly perfect looking January Jones is just weeks away from co-starring with John McCain AKA the incomparable Ed Harris in this summer’s NM shoot of Sweetwater.
Yesterday: Indie dramedy, As Cool As I Am has been in the can for sometime now. The film starring Claire Danes, James Marsden, Sarah Bolger, Thomas Mann and PETER FONDA, shot in NM last summer. Here are a some stills from the Identity Films production awaiting distribution…
Predictably sour on film, Governor Susana Martinez tells lawmakers at this year’s legislative session that it would be “a waste of time,” to pass a bill along to her proposing lifting the $50M cap on New Mexico Film Incentives, which she worked to impose during the last session.
Martinez says, “I want predictability for the film industry and they have received predictability and I think they really appreciate the fact that there is predictability. It allows us to formulate a budget and balance the budget.”
In the last year alone this now “predictable” stance has led untold numbers of productions, including the likes of Iron Man III – starring Robert Downey Jr., Oblivion – starring Tom Cruise, Quentin Tarantino’s Django Unchained and television series The Lying Game to quit New Mexico for more “receptive” states.
While Alasaka and Colorado shoot to redouble their efforts in bolstering their existing incentive programs, states like North Carolina, New Orleans and Texas nab big budget films, local jobs and the media attention that follows them away from New Mexico.
Perhaps bringing to fruition what was forewarned back in November 2011, when representatives of the Governor’s cabinet appeared at an industry event, tasked with proclaiming the Governor’s support for New Mexico Film. At the NMedia State of Film event the Governor’s Cheif of Staff Keith Garnder stated in his address to the crowed that the Governor, “vows to wield a veto pen” on any proposed changes to the current Film Program.
Representative Al Park (D) of Albuquerque disagrees with Martinez’ decision.
“We don’t have a cap on a single incentive in any other industry. We plant incentives all across the board for things all across New Mexico…this is an industry that we know right now is generating a billion dollars in economic activity,”
– Rep. Al Park to KOB-TV
While New Mexico sends millions of dollars out of state to improve
create our image around the world, and this ongoing targeting of the Film Industry is racking up losses in jobs and notoriety for the state, neighboring states stand at the ready to take over.
Right next door Texas is wrangling for the top spot in video game production by extending credits akin to their film tax incentives. After handily procuring the production away from New Mexico, North Carolina rides away with thousands of paid extras casting, crew jobs and the influx of income that the blockbuster Iron Man III will bring to their state.
Given the current administration’s stance on film, and the losses that follow, being the resonating image New Mexico puts forth as a still high profile option for production, industry activists and advocates are set to convene at the Roundhouse to lobby state legislators on February 1st for New Mexico Film & Media Day 2012.