“I’m still receiving inquiries about my thoughts on studies. As I said in my plan, the problem with studies is that it depends on who performs them. I can give you the results right now. If you believe it’s government’s function to create jobs, then film is one of, if not the, most dynamic programs in the country. If you believe that everything government does must create more tax revenue than it spends, then film doesn’t work. How we go about building roads or educating our kids on the basis of the return to the treasury is a complete mystery to me but that is the argument that is made. While conspiracy theorists believe the Governor’s office want a study released in 2014 when she’s running for reelection, I believe the film office is trying to figure out how to do it as fairly and equitably as possible while satisfying both of these constituencies. I’d be disappointed if politics took precedence over jobs.
We as a business mustn’t fall into the trap of calling these tax credits “subsidies.” We know they are not and if we use that word it becomes common practice. It’s what is happening in the New Mexican, and even fair and unbiased journalists like those at KUNM are using the Republican language. They don’t say oil and gas subsidies, solar subsidies or cheese subsidies; they call them tax credits. If you have the time write, email, or tweet press outlets when you see them use the term “subsidies” and let’s try to reframe the debate.”
This bill [HB379] is our first attempt at something the legislature can pass and the Governor will sign. It will probably not be the final version. There are a couple of amendments and the possibility of a committee sub but at least you can now see the way we are going. The first thing we really need to deal with is the roll over. If we wrote $9 million in checks in a year that we did $225 million in business, there is $30 million missing which we need to recapture. We’re still working on language around the vendor issue to be amended or substituted in. The Film Office has similar issues. We wanted to send a clear signal that we want to increase TV to 30% and give a talking point for conversations that people can pursue with their legislators.
The thinking is this: we have a number of pilots shooting here then returning to California and our big competition (Louisiana and Georgia) are both at 30%. We’d like to get that figure into the discussion for NM. As we all know, nothing provides stable, long term employment like a TV series. We’ve got a pretty good industry consensus and we’re working on the Governor’s office. Here we go!
New Mexico Labor Federation President, IATSE Local 480 Business Agent
There are at least two sides to every story and often a myriad more modus operandi, even when working from the same playbook, toward the same goal.
The purpose of this very site is to promote any and everyone with an interest in furthering opportunities for New Mexicans through Film, Entertainment and Community Activism. Many such advocates surface and then subside, but something that does not wane is the passion of the people taking up tasks to support New Mexico Film.
Below are the Point and Counterpoint of two very active, if not vocal advocates for New Mexico Film on the Hot Topics of our state governing vs. our collective favorite state industry.
Humanitarian documentary film production is the reason I studied filmmaking. When I came to New Mexico, I met many independent filmmakers struggling financially and working for free and saw Hollywood production companies spending millions on subject matter that didn’t interest me. I became disheartened. However, after noticing Governor Susana Martinez never appointed a chairman for…the Governor’s Council on Film and Media Industries, I got excited about making Susana Martinez accountable for non-compliance of Film Council bylaws: NMSA 1978, Section 9-15-4.1.
For nearly two years, the NM Governor has stood in her willful defiance of Film Council by refusing to appoint a chairman, failing to meet at least quarterly and failing to report the results of these meeting to Legislature as is mandated. For the last four months, this lawlessness has been made public on the New Mexico Filmmakers Facebook page. Moreover, the following public servants have been repeatedly notified in writing of this very crime: NM Lt. Governor John Sanchez, NM Secretary of State Dianna Duran, NM Attorney General Gary King, NM Director of Boards and Commissions Jeremiah Ritchie, NM Secretary of Economic Development Jon Barela, NM Deputy Director of Constituent Services Henry Varela, NM Film Office Director Nick Maniatis, the NM Legislature along with media at the local, national and international levels. However, it appears that nobody seems to have the courage, ethics or know-how on how to enforce the law at the political level.
Susan Martinez—with her reputation of being a conservative Republican who hates Hollywood—would rather grant her oil friends tax breaks than the film industry. A former Film Council member stated recently that New Mexico lost $300 million in business last year and another $300 million this year as a direct result of Susana’s actions. She took a solo runaway train and deliberately ran it right off the cliff. Many filmmakers and associated businesses have suffered great financial loss due to the changes made in the film industry by Susana without Film Council.
The greatest contribution I could ever make to the NM film industry is to ensure Film Council compliance so that the Governor receives needed counsel and accountability. Word on the street is that anyone who goes against Susana gets fired. When New Mexico Film Office Director Nick Maniatis saw the Facebook posts making the Governor accountable for breaking Film Council law, he blocked us on Facebook. My wonder is if Nick enjoys the extra power operating without Film Council, for I cannot fathom why Nick isn’t the one spearheading this effort. The head of New Mexico’s filmmaker union Jon Hendry called the Film Council an “ineffectual vanity council.” Sad.
This matter now stands before the President of the United States of America and the NM Federal Bureau of Investigation. Public servant financial disclosure statements–which are publicly available on the Internet–were posted on this public page; but, since public servants complained, Facebook removed the public information with a warning. Seems New Mexico public servants not only feel they don’t have to comply with Film Council bylaws, by they also believe they don’t have to comply with the Financial Disclosure Act. Time to defend our rights to make politicians obey the law and remain accountable.
Governor Susana Martinez stands 23 months in willful defiance of the Governor’s Council on Film and Media Industries. My focus is on that. If you read the poster that this thread is attached to, you will see the trail of public servants who enable this crime. What I mean about making a mockery of that, is that it’s so blatantly obvious that it’s a joke.
From New Mexico Federation of Labor President Jon Hendry –
Why are people asking me about the Governor’s Council on film? I sat on that thing under both Johnson and Richardson. In fact I was the longest serving member. Tell me one thing, just ONE that we did in ten years of meetings that made a difference? Governors use these commissions to reward friends and give themselves cover. There are real issues out there in our business. This isn’t one of them.
I’ve been reading the postings on impeaching the Governor over not appointing a film advisory council. Much as I appreciate the enthusiasm, I kind of feel obliged to throw my nickels’ worth in here as the only person who sat continuously on every advisory board from Gov. Johnson to Richardson.
Understand that the reason you form one of these Councils is not to get advice but to have a Board you can point to and say “these people are in the business and they approved it”, so you’re going to appoint people who pretty much agree with you – not those who would question your judgment or decisions in any way. That is the same across all levels of government. These types of commissions are set-up to allow Departments to report and get their news and opinions on record and to give the administration cover. Having a Film Council appointed by the Governor alone is really pointless in making a difference.
On initiating impeachment proceedings – it’s never going to fly as long as at least a third of the House members are Republicans. It’s again pointless.
This talk of a reconstituted film council is just a distraction. If the intent is to highlight the Governors failure then fair enough. But if the intent is to actually get a Council appointed that will make a difference then it’s not only a wasted effort but it’s a waste of resources. The NM Film Office is tasked to administer and staff the council. It’s time consuming wrangling that many people to attend meetings , prepare agendas and take minutes. With the large budget cuts that have resulted in minimal marketing dollars you’re using staff time and resources that will have to come out of already greatly diminished funds. Is this the best use of their time ? If the board was neutral and knowledgeable then yes. An independent oversight of the State’s programs would be beneficial not only to the industry but to the Film Office. However as the Governor appoints and replaces there’s not even the suggestion of independence. It would simply give the Governors office the opportunity to point to the board and say “this body approves of what were doing therefore it must be right” and many will believe it. Frankly I’m surprised there’s no board as it would be of more use to the administration than to the Business.
POINT via Ann Lerner, City of Albuquerque Film Liaison:
The film industry is alive and well in Albuquerque.
We’ve seen a variety of film activity in the area this year. “In Plain Sight” finished Season 5, filming out at I-25 Studios and on location around town. “Breaking Bad” shot eight episodes of Season 5, and will be back in December for eight more episodes. “The Last Stand,” starring Arnold Schwarzenegger, filmed in Downtown Albuquerque in January. (Watch the trailer to see an impressive stunt across the intersection of Fifth and Marquette.)
And, oh yes, the largest movie being made in the world this year, “The Lone Ranger,” chose Albuquerque Studios as its home for offices and sets and built two western towns out by the Rio Puerco, filming here for months.
“2 Guns” just wrapped, “Lone Survivor” starts filming in October for nine weeks. Two other films will be shooting this fall as well.
Numerous independent filmmakers are making low-budget projects – from features, to shorts, to webisodes.
So why do people like to film in Albuquerque? Besides the 310 days of sunshine, no natural disasters, close proximity to Los Angeles, an easy-to-use film tax incentive and a strong film crew base, we have a world-class infrastructure of stages, equipment companies, suppliers and businesses relating to the movie industry.
And Albuquerque can double for many different location looks – we can be Cincinnati (“Wild Hogs”); Munich (“Beer Fest”); Mexico border crossing (“2 Guns”); Los Angeles (“Crash TV”); New York (“The Resident”).
But I think a large part of the reason people like to film in Albuquerque is because of the open reception filmmakers receive from neighborhoods and businesses and the administration.
We offer one-stop film-permitting. We recognize that filming dates may change due to weather or illness or some other factor and are flexible.
Our filming guidelines require production companies to limit the number of large vehicles in a neighborhood and provide notification of filming dates and times. We have a program asking productions to give $100 to the neighborhood association for each day of filming. To date, over $60,000 has been raised.
We respect the production companies and welcome them for bringing in new money and providing well-paying and creative jobs for our citizens.
Production companies respect our highly skilled labor force and willingness to allow filming in the area.
Our reputation is strong. The Film Office is busy reading scripts and leading location scouts for potential future work. We’re issuing permits. Our phones are ringing.
Thank you for keeping Albuquerque film friendly!
COUNTERPOINT via Jon Hendry, President New Mexico Federation of Labor:
Our film liaisons are a hidden treasure.
The hard work of such great people as Ann Lerner in ABQ, Jan Wafful in Alamogordo, and Lisa Van Allen in Santa Fe, along with a dozen others around the state who back up the New Mexico Film Office and do great work in their communities, is a huge part of our industry success. I believe that Ann’s excellent editorial in today’s Journal speaks highly of her office, her pride in the community, and the effect that we in film have had on so many ancillary businesses. Bravo!
However, I respectfully disagree on the state of the NM film business. When 50/1 wraps, there will be slim pickings for NM crews through Breaking Bad‘s final eight episodes. While Lone Survivor is trying hard to employ as many locals as they can, for technical reasons they have to bring in more crew than we would like in fields where we are not strong. Hopefully, that is something we can all address in the future. One film can’t carry more than 1000 qualified technicians plus actors, stunt people, drivers, PA’s, and the host of others who have come to rely on this business. Rumors of an eminent super-hero movie only help a little, since we know that the vast majority of key or best boy positions will not go to locals. While they may fill hotel rooms, rent cars, and buy lumber, these kinds of movies don’t always help the working crew. We can’t expect micro budget pictures to pay comparable rates or the benefits we need; that’s ok, bring them on, we appreciate them, but it’s not the road to full employment.
As well as things are going, the warning lights are also flashing, and I believe we’re reaching that critical area where we need to deal with these situations in the upcoming legislative session. After two years we know what works and what doesn’t. My suggestions follow. On most I think you’ll find general industry consensus and on others some dissension, but I think we’ll find some suggestions that the legislature can agree with and that will allow the taxpayers to feel they are getting a good return on their investment.
1) We need to return to the original legislative intent of $50 million. In order to do that we need a cost of living increase as we’re the only “capped incentive”. That is going to seem extremely moderate now but we need the protection for the hyper inflation that may occur and could basically wipe us out of the business. By doing so we ensure that in real dollars the $50 million stays constant.
2) TV series employ more New Mexicans in all facets of the business than anything else, and we need to give them the certainty they will get their money when they make a commitment to us which could be up to five years. I’m open to suggestions on how we do this but I think the way is to exempt them from the cap.
3) We need to make some technical changes in the language of that rather rushed bill that allows a rollover of unused credits that we can accumulate as we already have a substantial balance from the last few years and a payout of $50 million. There is no reason for it to be staggered if we have the money. Sitting on it doesn’t help anyone, especially the state budget process.
4) We need to set up a system that, when Tax & Rev has approved a rebate, picture companies can monetize this. I believe the private banking system can look at doing this. I also believe some of us in NM might contribute to a fund that would not only give a return but help us get more pictures and, most importantly, ABQ, Bernalillo County, SF city & counties, Alamogordo, and Otero County could look to their bonding capacity to help this occur. It would be very useful if we could put this money in to the project while they are still here shooting and spending money and not two years down the road when they are long gone. Alaska is looking at a cash flow model, private funds can move much quicker than governmental entities, but Tax & Rev would have to come up with a certification program.
5) Perhaps most controversially, I think we need to do much, much more to ensure that the companies generating the rebates for the production entities are NM based and the money stays in the state. It’s almost a game to figure out how to make out of state people and equipment and other purchases rebateable. We shouldn’t be asking Tax & Rev to play “whack a mole”. When we solve one issue another pops up and that’s not good. We thought the bricks and mortar requirement solved this but in some cases it made it worse. I want to be able to say with hand on my heart that we rebate no one from out of state and we keep the money here where it was generated and where it’s needed. Any perception that this is welfare for Hollywood isn’t good. This should be a legislative priority.
I’m open to other suggestions. What I can’t work with is a situation where on the top end we’re being squeezed by the amount of money we can put out and on the bottom end we are squeezed because these companies are employing fewer New Mexicans and spending more money with large chains who don’t pay taxes here or out of state companies are working through facilitators instate that help them get an undeserved rebate. If anyone else feels we’re doing sensationally well I am happy, after ensuring confidentiality, to share payroll figures with you – it’s not great.
In the ongoing vilification of the Film Industry, opponents say, “the state can’t balance the budget if it doesn’t know what it’s going to be paying out to Hollywood.”
So while film is continually labeled as a drain on the state, big corporations pay less in state taxes than the truly oppressed New Mexican Small Business Owner, oil and gas are subsidised without scrutiny, and a little digging into special interest groups (i.e. campaign contributors), may yield some insight into what else gets special attention and consideration.
“A 90-minute flight from Los Angeles. An average of 300 days a year of sunshine. A 25% tax rebate.
For 10 years, that combination — along with a responsive film office headed up by a longtime locations expert — helped transform New Mexico into one of the country’s hot spots for filmmaking. What could go wrong?
Having just returned from the LA Locations Expo, I have a few observations on where I believe we are going with our business here in NM. In LA, I also had the chance to talk to various people from around the country to confirm what I believe is happening nationally.
First, congratulations to everyone who attended the show and participated in the many events. Our Shoot Santa Fe partners reached into their own pockets to finance a booth, two parties, and several in-person meetings with possible clients, and they did an excellent job. Nick and Tobi from the NM Film Office along with Ann from ABQ, Jan from Otero County, and Lisa from Santa Fe did a great job at the NMFO booth which as usual looked spectacular. I can’t help but believe we had a large positive impact in allaying the many rumors I heard about NM’s demise. It’s just unfortunate that we only got to talk to the people who attended the show. Thanks to Santa Fe Studios and Santa Fe County for the full page ad in Variety which allowed us to reach a larger audience.
I had a frank discussion with a senior representative for a major studio and a production entity as well as a representative from one of our facilities about their belief that we need to rebate out-of-state crew members (particularly above the line) in order to remain competitive. It may surprise some to know that we have already done this on a couple of occasions for a limited amount of crew on major motion pictures. There is a provision whereby this can occur, but of course the taxes have to be paid and the circumstances have to be extraordinary. (On that note congratulations to NM Taxation & Revenue for auditing actors and loan-out companies to ensure they have paid their entire NM tax liabilities. It’s important that those of us who pay NM taxes know that everyone is being treated equally.)
There seemed to be some promising developments between one big government office and our own International Alliance of Theatrical Stage Employees after the dust-up in March, wherein the NM Dept. of Tourism and New Mexico dollars went virtually ALL OUT OF STATE (save for approx. 6 actors and 2 crew members, and a 4 day local shoot).
Then IATSE 480 business agent Jon Hendry released this statement regarding the possible mends in going forward with the current administration giving NMFilm a fair shake, however…
A new row is brewing as another branch of our government too appears set to utilize out of state film resources and is requesting non-union talent to shoot state PSAs.
The latest word from Jon Hendry on the matter:
So the DOT are shooting a spot as they do regularly ( or it could be the MVD but whomever it’s your tax dollars) and from what I’m being told they’re bringing in an out-of-state Director and possibly a DP. They’re also casting only non-union actors. Now I’m finding this all a little hard to believe, as I sat in the Govenor’s office and i was personally assured, by the Deputy Chief of Staff, that every effort would be made to ensure this didn’t happen again, so for now I’m assuming it’s all a rumor.
There are some fine commercial directors here, as good as anyone that could be brought in. Even if there wasn’t, how would our people ever get better without the opportunities that in-State Government commercials allow ? I actually know of what I speak. In a previous life, when I was the Director of Marketing for then Gov. Richardson, we shot dozens of spots without ever bringing in anyone from out of State including the Directors and we somehow made the spots on budget and Union. Including the iconic ” You drink,you drive, you lose ” and the national award-winning ” You’re in the right state of mind, just the wrong State “
We viewed commercials as training grounds and showcase opportunities for New Mexico talent both in front and behind the camera. After all, if the State won’t help who will ?
Rather than just complain here’s a couple of concrete suggestions ; first here’s what I will be told ” Why do you care.? They are using your guys ? ” I care because I’m a New Mexican. Bringing in ATL is just wrong. Putting BTL locals on doesn’t make this right. As I’ve said, I will be an advocate, but the real key here is the film office. If they ask through the Governor that all departments send there RFP’s over so they can be emailed to interested New Mexicans who register with them, then at least the production community will have an opportunity to bid. They could also put on a job fair for State agencies which brings together possible clients and vendors. I used to bring in all the PIO’s from the State for a monthly meet and show them examples of New Mexican work, took them to sets, introduced them to our peeps. It worked.
Regardless if New Mexicans are not getting hired, we-the production community- need to fix this. I need to fix this. Because frankly I’m a big fan. I have had the privilege of working with many of you and with many outsiders. We take a back seat to no one.
In the meanwhile, today the Albuquerque Journal reports, “Gov. Susana Martinez’s administration is laying the groundwork for a wide-ranging study of New Mexico’s film rebates that it hopes will put to rest the debate over the program’s effectiveness.”
We have to wonder if the study will aim for a balanced look or simply take further aim at dismantling the industry which this administration has been so notorious for. Albuquerque has fallen from NUMBER ONE in the nation for film production to third and the state as a whole has fallen from third to NINTH under Martinez’s relatively short rule.
Study or target no study the numbers of productions which are fleeting and fleeing continue to mount, from Django Unchained in Louisiana, to Iron Man and Hunger Games in North Carolina, where Government offices actively work for film jobs and notoriety for their state residents.
New Mexico presently sits on the bench with infighting while neighboring states, previously daunted by the New Mexico’s top ranking in film were falling away, others are ramping-up as our reign is loosening and slipping away.
We are honored to have been asked to recognize the passing of a beloved member of the close-knit New Mexico Film family.
In this great industry of passion, pride and inspiration, brothers and sisters in film are sharing sad goodbyes and fond memories of a great spirit among them who has departed to the other side.
Today New Mexico and this world say, rest in peace to a true comrade and friend to all, Frank Tapia.
Frank Tapia passed peacefully and painlessly at 8:30 last night. He was surrounded by his family, union brothers and friends. Words cannot describe my appreciation for the huge response by this Local. Literally minutes after my email his union family started to show up and by 6:30 there was a line waiting to say goodbye, the dirt of Lone Ranger mixing with the sawdust from Breaking Bad. I know that Frank and his family appreciated it and I believe it let him go in peace. Our thoughts and prayers go out to all.
-Jon Hendry, New Mexico International Alliance of Theatrical Stage Employees, Business Agent
Sincerest condolences to those of you who know him, love him and will always carry his memory with you.
Please feel free to leave your respects and remembrances as comments here.
On the long and winding road of missteps, wherein New Mexico industries and the very fiber of our cultural make-up as New Mexicans had first been underutilized then flatly insulted, a path to amends is taking shape.
This week New Mexico Film workers business agent, Jon Hendry had a successful meeting with the Governor’s cabinet members in regards to their handling and handing out of the state’s multi-million dollar ad campaign, which has recently grabbed some unflattering national and international attention due to the Tourism Department’s casting gaffe.
Tops in priority to many are bridging the gap between the high dollar, high visibility contract utilizing local trades, businesses and people, for this all important media package set to launch beginning next month with the goal of showcasing New Mexico to the world.
As forwarded to OHI from the office of IATSE 480 Business Agent, Jon Hendry to locals in film; the status of New Mexico Film, New Mexico Tourism, and New Mexicans going forward together stands as follows:
I just met with Cabinet Secretary of Tourism Monique Jacobsen, the Director of Tourism Development, and the Governor’s Deputy Chief of Staff on the outsourcing of crew on the recent tourism commercial.
I feel we had a frank and open discussion of our positions. I believe the Department and the Governor’s office now know that this is something that should not have occurred. I also believe that they are willing to make every effort to prevent this from occurring in the future.
We discussed three things which I think will be positive steps forward.
1. We will work together to ensure that as many New Mexicans as possible work on these projects in the future.
2. We will work to form an advisory group of people from around the state to assist in achieving that goal.
3. We will jointly create a promotion to showcase New Mexicans’ own stories.
I strongly believe this meeting was a positive first step. Everyone in attendance took this matter seriously. I’m making a commitment to the NM production community that I will do everything that I can to make sure it doesn’t happen again. The Governor’s office and the Tourism Department will work with us all to make sure as well.
Having said that, the recent commercial is in the can; continuing to gripe and complain about it, while therapeutic, does not help. We’re all New Mexicans here regardless of what side of the fence we sit on, where we originally came from, or what we look like. Our goal should be to promote jobs through sustainable and respectful tourism. I know a number of you told me earlier you’re willing to work with me on this and I will hold you to it.
Friday evening, moments after a quick mention on the weekly radio show, Cinema Scope (101.1 Santa Fe/simulcast on the web) touched on some local concerns around the disconnect between New Mexico State Tourism and the State Film Industry, confirmations of the out of state marketing firm awarded the $2M New Mexico contract having recently hired a San Francisco production company to trek-in and film tourism spots poured in.
IATSE 480 Business Director, Jon Hendry tells OHI exclusively:
(IATSE 480 – New Mexico chapter of the International Alliance of Theatrical Stage Employees)
“I’m disappointed that the New Mexico Tourism department chose to go with a California based production company to shoot their most recent commercial. The Department often points to their limited budget yet spends considerably more than they needed to transporting an entire crew from out of State. They brought in equipment we have readily available here and even shipped in Wardrobe for New Mexicans, no doubt so they could look “authentic”. The two local hires [on the production] were the Craft service person and the driver.
To add insult to injury the New Mexican based talent were the lowest paid people on the shoot, working for flats with no residuals. And by coincidence the weather on the shoot days were [un]typically blustery spring days with complete overcast when they were shooting the Santa Fe Plaza. A local crew would have called a weather day but when you’ve transported everyone a long way then that’s not possible. They can hardly have showed NM in its best light.
The main problem is this; We in the Industry have not convinced our own Tourism Department that there’s better, cheaper and more committed resources right here in the State. More troubling, our Film Office who evidently were aware of this and did not intercede apparently feel the same or how could this occur? If they are not our advocates who is?” -Jon Hendry
After the recent shoots, Hendry furthermore extended his apologies to New Mexico production companies vowing to work harder than ever going forward to close gaps between state agencies and state film workers.
Multiple, highly qualified in-state production houses are known to have made considerable efforts to submit for work on the New Mexico State Tourism ad campaign. One local production house confirmed to industry advocates that their firm worked diligently, over several months attempting to be considered for production work on the local tourism shoot.
Repeated contact, including at least one promising exchange with the Texas based company hired to execute the ad campaign, [pen]ultimately led to the New Mexico company being simply ignored – that is until the visiting crew hired was on location here in NM, when it is reported that the California producers called-in for advice on how to shoot a particular way, while the aforementioned regional weather issues griped the production.
Based on such accounts, what we can so far come to expect from the forthcoming campaign is an overcast Santa Fe Plaza and a wind ravaged Sandia Peak. At least it looks like the Kayak shoot was a success. New Mexico Kayak Instruction, Inc. (NMKI) posted on their blog all about the very positive experience of their water sport segment of the campaign shoot.
“Yesterday was my first experience working with the New Mexico Film industry,” NMKI’s Kelly Gossett wrote of the filming. Kayaks yes, NMFilm not so much. Click here for the full account on how at least one New Mexico based company was featured thus far in this out of state, out of pocket ad campaign.
Ironically many New Mexicans in Film, Entertainment, Trades and Local Business are working and can’t up the head-count to take a stand FOR NM FILM over at the Roundhouse.
But, we know plenty of y’all could & would haul your bodies up there and put your best act on if it were for a part in The Avengers or the like. Well this call to action may be one of the most important try-outs of your professional life.
Without a show of force NM Film remains in peril and efforts to keep cast, crews, support services and our kids in training for all of the above gainfully employed are shaky – we need a full cast & crew present to keep our top spot in global film production. If you would make the trek to audition or tryout for a role to further your career make this trip to capital city within the next few days.
Today we were able to chat briefly with IATSE Local 480 Business Manager and Film lobbyist, Jon Hendry. He’s quite literally been making the rounds, up at the Big House in Santa Fe and tells us we can take head that there is time left and negotiations open that we can still impact – the calls and emails are going through but NM Film needs your body.
Click here to listen to Hendry give us a little what’s-up with that industry we hold so dear…including who’s still trying to pull what and what our best bets are moving forward.